Experimental Poetry 2: Stream of Consciousness

This is the second post in my series on experimental poetry. There are many poets who, down through the ages, have tried to push the boundaries of poetry beyond what is expected, and in some cases, what some might consider acceptable. But poetry, as I will keep saying, has no rules. Look at the work of poets such as Ezra Pound, e e cummings and Edwin Morgan, and you will see this is true. 

One of the ways to break out of a poetic rut is to forget all the rules and techniques you already adhere to when you write (Yeah, I know. It's not easy), and just write freely and without any constraints. 

Method 5: Stream of Consciousness is a technique where you simply write (or speak into a recorder) at random, using whatever comes into your mind. Better still, try writing without even thinking - unconsciously.  Perhaps the results will be unusable or gibberish. It doesn't really matter. You are creating something. Just keep writing and do it very fast. Let your mind run away with you. Sooner or later there will be something that emerges that you could never have created by simply sticking to your tried and tested methods. 

This method might result in some really strange and original poetry, but even if it doesn't, the very act of writing freely without thinking too much will loosen you up as a poet, and allow you to exercise and develop your writing agility. Who knows, it might even make you stand out from the poetic crowd!

Steve Wheeler

Photo from RawPixel used under a Creative Commons Licence

Previous Post

Experimental Poetry 1: Found Poetry

Poetic devices 13: Calligram

The above image is actually a poem by the French writer Guillaume Apollinaire. Some people would call this concrete poetry. Some might call it visual poetry. It's real name is Calligram - the presentation of a poem in the shape of the theme it is describing. One of the arch proponents of this technique was Scottish poet Edwin Morgan, who created a series of poems that were presented in the shapes of animals, objects and people. 

Calligrams are not for the faint hearted. There are several technical difficulties you would need to overcome to achieve an aesthetic shape for your poem that would echo the topic of theme. 

The image below is a poem by American writer John Hollander. It is description and visualisation, combined. See how he has worked the lines into a superb image of a swan and its reflection in the water. This technique transforms a good poem into a great one. 

Some of our own Invisible Poets group have already started to write poems in calligram format. Matt Elmore's recent offering 'Sexy You' is an example:

My advice would be to write the poem first. Choose a topic to write about that can easily be turned into an image. The poem does not necessarily need to rhyme. What it does need to be is easy to manipulate into shapes. This is where the fun starts. Once you have written the poem, you then need to mould it into the shape of the topic. Good luck - it can be a lot of fun, but also a real challenge!

Steve Wheeler

Previous posts in this series

1. Simile
2. Metaphor
3. Repetition and refrains
4. Alliteration
5. Assonance
6. End Rhymes
7. Internal Rhymes
8. Rhythm and Tempo
9. Enjambment

10. Allegory

11. Metonymy

12. Cacophony

Main image source: Wikimedia Commons