Showing posts with label Wheelsong. Show all posts
Showing posts with label Wheelsong. Show all posts

Friday, 23 January 2026

How does Wheelsong contribute to literature?


Artificial Intelligence is a strange one. Often AI makes hilarious errors, and sometimes gets it disastrously wrong. It's like a toddler being potty trained or learning to walk. Comical but also messy. But every now and again, AI can actually get things right, and save us all a fair amount of time. Here's one example, from Facebook's Meta AI model that hangs around beneath posts in Invisible Poets and other groups.

The tab was titled 'How Does Wheelsong contribute to literature?'
Wheelsong Books contributes to literature in several ways:

1. Publishing New and Emerging Authors: Wheelsong has collaborated with numerous first-time authors, showcasing their work in various poetry collections. Some notable publications include:

a) The Sky is a Shade of Forever by Chuck Porretto, exploring themes of nostalgia, satire,
and life observations
b) Echoes of a Fading Star by Emmanuel Chimezie, a daring blend of bold lyricism and experimentation
c) Light Will Return by Iain Strachan, a collection of poetry that explores spirituality, science, identity, and technology
d) Circus of Circles by Aoife Cunningham, a debut collection of poetry that tackles themes of healing, mental health, and vulnerability

2. Promoting Poetry through Anthologies: Wheelsong publishes annual poetry anthologies, featuring over 250 poems from poets worldwide. These anthologies have raised funds for Save the Children, with over £14,000 donated by the end of 2025.

3. Supporting Literary Events and Community Building: Wheelsong organizes roadshows and live events, providing a platform for poets to perform and connect with each other. These events have helped forge lasting friendships among poets and raised additional funds for charity.

4. Mentoring and Developing Writing Skills: Wheelsong publishes textbooks like Creative Deviance by Steve Wheeler, which offers exercises and techniques for poets to develop their skills.

5. Charitable Contributions: Wheelsong's publications and events support Save the Children's global relief work, focusing on education, protection, and aid for children in crisis-stricken areas.

Quite a useful summary of some of Wheelsong's achievements and projects over the last year or so.


Steve Wheeler

Monday, 22 December 2025

Review of 2025 Part 3

Spring arrived in the Northern hemisphere, and Wheelsong Books was busy constructing the next books in its sequence of premier quality poetry books. One of our exciting new signings was Ryan Morgan, a Welsh-born poet who now resides in Ireland. Ryan's poetry is stunning to read, and it was an absolute must to bring him on board the good ship Wheelsong Books. His debut publication Elementals was published in April. 

Soon after, in May, we published our latest charity project Wheelsong Poetry Anthology 6. Edited by Steve Wheeler, Matt Elmore and Nadia Martelli. this massive anthology contained more than 250 poems written by Invisible Poets and other Facebook poetry group members that had been rigorously reviewed by our editorial panel. The beautiful sunset over the water image for the cover was photographed by Kelly Rodriguez Cheek, a British photographer now residing in Argentina.


In June, one of our 'old hands' Brandon Adam Haven published his third volume of poetry with Wheelsong Books - Bellowing to a Lost Echo. The book contained a number of dark poems and also the conclusions to several Gothic style short stories that had been introduced in his earlier publication, This Broken House. Brandon has now stepped down from his role as an Admin for Invisible Poets and we would all like to thank him warmly for his valuable contributions in making the group a success, and we wish him well in his new ventures in the poetry world. 

Also in the same month Wheelsong Books published a volume of experimental poetry by Steve Wheeler titled simply: eXp. The collection also featured several short stories, but the poetry contained within covered several experimental techniques including surreal, malapropism, stream of consciousness and caligram poetry.  eXp is a practical outworking of the theory and history featured in the textbook Creative Deviance, by the same author.



All the above volumes are available for purchase from links on the official Wheelsong Books website or by emailing Wheelsong at wheelsong6@gmail.com. You can also click on the links above to find more details on the books, and profiles/images of the authors. 

Steve Wheeler


Friday, 19 December 2025

Review of 2025 Part 1

It's that time of the year again, where we can look back on an entire year and reflect on what happened. In this short series running up to the new year, Wheelsong Books and Invisible Poets, working together have achieved a significant amount. 

Early in the year, Wheelsong published two important new books. The first, one that had been a long time in the making, featured the work of Essex poet Graeme Stokes, whose jocular and entertaining verse has been regaling Invisible Poets for so long. It was about time to enable people to own a collection of his best poetry, so Off the Top of My Head was released. It is a firm favourite with a lot of people. 


In the same month Wheelsong published Creative Deviance by Steve Wheeler. Another book that had been a long time in the making, Creative Deviance has the strap line: How to Become an Experimental Poet. It is a textbook rather than a poetry book, but features more than 50 exercises poets can practice to develop their skills in writing creatively. The result is that those who have purchased the book have found their repertoire of writing styles and range of techniques has expanded and given them greater liberty to express themselves. Look for the hashtag #invisibleEXP to discover many of the poems that have been written under the influence of Creative Deviance.

Soon February was upon us, and the second birthday of Invisible Poets arrive. To commemorate this, Wheelsong published not one, but two new Invisible Poets anthologies of all the best poems that had featured on the Live Poets Society series of broadcasts throughout the previous year. The mix is eclectic and the sequence of quality poems is stunning. The image on Anthology 2 was taken in New York City in 2015, and the image for the cover of Anthology 3 was captured in South Africa in 2009.

All of the proceeds of these two books is donated to Save the Children, our chosen charity. By the end of 2025, Wheelsong Books has donated a total of £14,000 ($18,700) to support children in crisis. 


All of these books are still available for purchase, and full details can be found on the Wheelsong Books website.  

Steve Wheeler

Wednesday, 17 December 2025

Light Will Return


Wheelsong Books Ltd is excited to publish our final poetry collection for 2025. It is the debut collection from Oxfordshire poet Iain Strachan, and is intriguingly titled Light Will Return. 

Light Will Return contains diverse and thoughtful poetry that explores the nexus of spirituality, science, identity and technology. Moving smoothly between theology and mathematics, artificial intelligence, psalms and sonnets, Iain Strachan’s collection poses searching questions about personal meaning, faith and what it means to be human in an increasingly mediated world.


Alongside poems that engage with physics, algorithms, and digital culture sit deeply personal reflections about family, memory, love and loss. Childhood, parenthood, doubt, gratitude, and identity are explored with frank honesty and quiet curiosity, grounding the intellectual reach of the collection within ontology—the lived experience.

Playful, questioning and quietly emotional, Light Will Return invites us all to reflect on how faith and reason, science and mystery, and especially our past and future can shape our individual identities. Light Will Return is a delightful collection of poetry that is both intellectual and visceral—and is an offering which we can explore patiently for illumination. 

About the Author:

Iain Strachan lives in Oxfordshire with his wife and daughter. He is a retired computer scientist with a PhD in Machine Learning and Artificial Intelligence (AI). He made a career out of AI for engineering and medical applications and now has a career keeping it out of poetry groups! He has been writing poetry on and off since 1993, and more regularly since joining Invisible Poets in 2022. His work, including the title poem for this book, has been broadcast on BBC Radio Oxford, and he has published several poems in the Wheelsong Poetry Anthologies. He is also a volunteer with the Samaritans, and an active member of Abingdon Local Quaker Meeting. 


Iain says: "I am interested in the connections between science, mathematics and spirituality, and combine these in my poems. I believe writing poetry allows us to discover things about ourselves; often lines or phrases seem to write themselves, and only on later examination do I realise what part of my life, my memories, or my spirituality they come from. A completed poem is like a mirror in which you can examine yourself. I call it 'The Lens of Me.' "


"My years as a Samaritans listening volunteer have also given me a passion for raising awareness of mental health, and many of my darker poems are driven by that desire and feelings of empathy for those who suffer."


"The two greatest things for me about writing poetry are the act of creating something myself, and then when someone says that my words spoke to them. It is my hope that some of my words will speak to you and bring some light for you."


You can discover more details about this book and how to obtain your copies at the Wheelsong Books website.

Steve Wheeler

Tuesday, 31 December 2024

Review of 2024: Part Three

Autumn of 2024 was busier than ever for Wheelsong Books. This is part 3 in our review of the year. Part one can be read at this link and part two can be viewed here.


August

As August began, Wheelsong's next publication was released. It was Storming Oblivion by the mercurial New York poet Peter Rivers. This book was Peter's first full collection of published poetry and it certainly caused a small storm with its moody cover design and extraordinary poetry. 

Writing about his debut collection, Peter says:

This collection represents a journey through my own expression, recognizing the potential value within my own voice. Storming Oblivion will present tales of love, loss, fear, doubt, feelings that lack reciprocity and more. Travel with me on my road to self-discovery as I share the deepest parts of my soul with you in my quest for self-acceptance.




September

As the summer drew to a close and the leaves began to change colour, Wheelsong Books published an amazing collection of poetry titled Stealing Fire.  Written by Irish poet Tyrone M. Warren, Stealing Fire is a radical departure from much of Wheelsong's previous offerings. Tyrone is a poet with a difference. He speaks from his own experience about a number of challenging issues including domestic abuse, urban alienation and addiction. His writing is visceral, stream of consciousness style and it utterly captures your attention. Tyrone lived in London for many years but recently made his home in the idyllic Cornish countryside.

He says about his own writing craft:

It’s been a hard graft starting from scratch again and I feel a sincere gratitude to have had this opportunity like God heard my heart and I had the clarity to see and read the signs.


October

The much awaited Wheelsong Poetry Anthology 5 was published as Autumn decended. Edited by myself, with able assistance from Brandon Adam Haven and Charlene Phare, WSPA5 features poetry from all six continents, and has become just as popular as all its previous siblings. The cover art is a photo I took from street level of skyscrapers in Manhattan while working in New York in 2015. 

Containing poems in many styles and diverse themes, WSPA5 is an excellent addition to anyone's poetry collection, and features a number of new poets previously unpublished. 

As ever, sales of every book contribute to Wheelsong's charity donations, with more than £6,500 ($8,100) so far being given to Save the Children to help feed, provide health care and educate children in crisis. Wheelsong will continue to create these books for as long as there is an audience to read them. 


November

The final book of 2024 was published in November and it was quite a pleasant surprise to many poetry fans. Circus of Circles by young Irish poet Aoife Cunningham caused quite a stir, not only due to its fiercely vibrant cover art, but also because of the way the book created a new dimension for Aoife's dynamic and powerful spoken word performances. 

Much of her work in the book derives from personal mental struggles and dark, painful places, as well as life in a lage Irish family, but as ever it is all delivered with her inimitable wit and humour. Aoife presents her art with grace and style, always infused with the unmistakeable culture and charm of the Emerald Isle. 

We hope to hear a lot more from this talented young poet in the coming years. 


December

In the final month of the year Invisible Poets reached the significant milestone of 50,000 members. Less than 2 years old, the group thrives from a range of activities including several regular live shows from the UK, USA, Brazil and other countries, energising experimental poetry exercises and engaging writing challenges, many of which yield a diverse range of poems and creative works shared on the site. 

To celebrate reaching 50,000, Wheelsong has created a special T-Shirt which presents the slogan 'Poetry Against Poverty'. Needless to say, every sale raises a fair amount of money to support children in crisis across the globe. In the new year, Wheelsong has plans to establish an online store selling a range of merchandising that will further support Save the Children. Watch out for announcements on the group sites!


Previous parts of this annual review are available:

Review of 2024 (Part One)

Review of 2024 (Part Two)

Steve Wheeler


Monday, 30 December 2024

Review of 2024: Part Two

The first part of this annual review can be read at this link.

May

As the summer of 2024 began to break through, May saw the publication of Marmalade Hue by Oldham poet Donna Marie Smith. There's a story behind this cover. During the production stage Donna and I discussed the title of the book, and I asked her to come up with a title that lent itself to imagery. Marmalade Hue was chosen because it immediately conjured up a picture in my mind. The image was one I took of trees in winter, which I then colourised. 

Donna's gritty, down-to-earth but very humorous and touching book has been quite popular, and has attracted some glowing reviews, including this one by American poet Gregory Richard Barden: 

This wonderful book of poetry is filled with so much beautifully expressed content, presented with eloquence and charm, I would recommend this for everyone – get one for your nightstand or coffee table, and take this marvellous journey through poetic excellence!


June

As the month of June began, Wheelsong published its next collection of the year, by Gregory Richard Barden. Melancholy Moon is the first of several collections that will be published by Greg through Wheelsong. Greg's eloquently crafted poetry deserves a much larger audience than he currently enjoys, and hopefully this book will begin to make him more visible in the poetry community.

Greg is a master of the fixed form genre of poetry and his stunning poetry is very rich in both imagery and metaphor. It's quite exciting to anticipate what he will create in his next book.As Mark Massey remarked in his review: 

Greg Barden’s collection of poetry touches every emotion. His sonnets are perfection. This book needs to be in your collection.

July

There has been a demand to publish a second collection from Matt Elmore ever since his first book, Constellation Road hit the bookshelves. In July Wheelsong finally released a superb collection from the Kentucky poet that we hope does justice to his poetic genius. Matt creates poetry that is breathless, relentless and thrilling. In Average Angel, he conjures up a very enjoyable sequence of poems that challenge, thrill and amaze.

In Matt's own words:

Average angels surround us. They give more than they take. They make life worthwhile and they light up our lives. Do you know any? This is about them… Life is a game of opposites. Positive and negative, pleasure and pain… life and death. There are many who cannot reconcile the good from the bad because there seems to be such little hope without some form of unseen intervention.


August

My own book of new poetry, The Infinite Now was published in August of 2024. It contained a collection of diverse themes and styles. I think it's my most sophisticated book to date, but I won't blow my own trumpet. I'll introduce my brass section instead:

This extraordinary volume ... is a magnificent achievement of poetic excellence, inspiring spirituality, and exceptional beauty. Steve Wheeler is a modern master creating an immense breadth and depth of poetic forms and intriguing themes.Linda Powers O'Dell

From the preface, through the verse-gilded pages, to the very last punctuation point, this book is a rich and varied glimpse into the realms of a prolific poet and a wondrous imagination. Every selection is a new spell-binding story that will leave you breathless, enriched, and wanting for more. Of all the many anthologies I have read of late, this one was the hardest to put down.Gregory Richard Barden


The final part of this annual review can be read at this link.

Steve Wheeler

Sunday, 29 December 2024

Review of 2024: Part One

2024 has been a busy and very productive year for Wheelsong Books and Invisible Poets. Here is the first of three parts of a comprehensive review of our achievements and successes over the year.

January 

The goal Wheelsong Books set itself as a publisher in 2024 was to publish one book each month. The first book off the Wheelsong press in 2024 was a collection of my own poetry from 2020-2023, titled All the Best (this is usually how I sign off an email). 

The poems in the collection were drawn from a number of previously published books including RITE, Shocks & Stares, My Little Eye and Nocturne. It contains poems such as Yasmina, I Ordered an Uber and a Hearse Showed up Instead, and many more.

What may have baffled some readers is the section headings which were all named in Latin or Greek. That's just me having a little fun with language!



February

As an online poetry community, Invisible Poets celebrated its first birthday in February 2024, a milestone commemorated by the publication of Invisible Poets Anthology 1. IPA1 is a collection of premier poetry all of which has featured in Live Poets Society shows. The best of the best poetry featured in the book, which is still on sale today to raise money for Save the Children. In total, the book featured more than 350 poems and at just over 300 pages, is the largest volume Wheelsong has published to date.

The cover art is a split image of artistic graffiti I found in a motorway underpass just a half mile away from my house. My daughter Amy Wheeler took the image, which features me in a green hoodie. The separated image of the hooded poet has since become the icon for Invisible Poets, and now features on our charity T-shirts (of which more later). 


March

As the first signs of Spring began to appear, we were working on the final touches of a wonderful collection by American poet David Catterton Grantz. Previously an educator, Dave's poetry has an ethereal lyrical quality that has to be experienced to be believed. Shadows into Light really showcases his unique talent as a poet, and although it may have been the first Wheelsong publication, it was in fact his fifth published collection. 

His work is summed up nicely by Ellis Ralph, wordsmith and singer-songwriter: 

Grantz is an expected surprise, a familiar novelty, dependably unpredictable in form and content, style and mood ever shifting his ideas, and yours. Strap in and ride shotgun in whatever vehicle he’s driving, to wherever it goes. He knows the way.


April

The Wheelsong Poetry Anthology is becoming a regular twice-a-year event, with contributions drawn from five or more large poetry groups across the online network. Wheelsong Poetry Anthology 4 was edited by me, ably assisted by Donna Smith and Matt Elmore, and what a difficult job we had! We received more than 500 submissions in just 3 weeks, and systematically waded through each, to select the very best of the best. I think the editorial team managed to do a very good job, as the collection clearly indicates. It's a great book, well worth a read, and hopefully it will become a classic in time. 

The beautiful image was donated by David Catterton Grantz to grace the front cover of our flagship publication. All proceeds are donated to our favourite charity, Save the Children and every sale raises enough to feed a malnourished child for almost a month. 


Continue reading the review of 2024 in these posts:

Review of 2024: Part Two (May-August)

Review of 2024: Part Three (September-December)

Steve Wheeler

Thursday, 5 September 2024

How to get your poetry published


With two new anthologies about to be published by Wheelsong Books, I'm sure there will be many in the groups who would like to know how best to get their poems selected. Will your poems be chosen for publication by the panel? Well, it all depends if your poetry is good or bad poetry. If there is such a thing as bad poetry (and many would argue there is! Boring has something to do with it) then there must be characteristics that make it so bad. In this briefing, I want to show you some reasons why in the past, some poems have failed to be selected for publication in the Wheelsong Poetry Anthologies

Firstly, to get into an anthology, your poetry should not be lengthy. It should be comparatively brief, normally no longer than one page of text. The publisher is constrained by page count. The more pages a book contains, the more expensive it is to publish. Wheelsong Anthologies are generally between 240-300 pages in length. We like to keep the costs down so everyone can afford to buy a copy. 

Tip 1: Submit brief poems that are no more than 50 lines at the very most. Shorter poems will be favoured over longer ones. 

Most poets don't tend to read poems by other writers. This is a sure-fire way to get stuck in a rut and to keep on churning out the same old same old. If they do read other poets' work, they tend to read old, dead poets rather than living, contemporary poets. This encourages them to become obsessed with archaic language, especially thee, thou, hast and any other kind of bygone vocabulary. And when they get this wrong, oh boy, do the get it wrong! It's embarrassing, and it causes me to move on without reading. Also, if you're wanting to excel in the spoken word kind of poetry, then you'll need to write in contemporary language that your audience will easily recognise and identify with.

Tip 2: Read widely, not just the dead poets, but the living ones as well! Try to pick up ideas from the many and varied ways poets of today construct their poetry. It will be an eye opener, and I guarantee you will never regret it. Best thing you can do is buy a copy (or more) of a Wheelsong Poetry Anthology, and check out the quality, themes and format of the poems that were selected.

Next, here are a few things you should definitely avoid:

Boring poetry uses sing-songy rhythm and forced (gratuitous) rhyme. Forced syntax doesn't do any favours for your reputation. Losing your reader because your rhymes don't make any sense - or worse - because they become completely predictable - is a great way to destroy your credibility. I recently made a comment about gratuitous rhymes. I was surprised when people took up the erroneous idea that I had said rhyming was bad. I didn't say that. I said that bad rhyming is bad. There's a difference. But people hear what they want to hear I guess...

Tip 3: If you can, write poetry that is free-form, and avoid rhyming if you feel it is constraining your creativity. If you are determined to stick to fixed form poetry with strict rhyming schemes, then experiment with rhyming that is unpredictable. I recently rhymed "Avoid them" with "I Siegfried and Royed 'em". I rhymed the entire phrase rather than just the end word. Experiment. You have nothing to lose. 

Tip 4: Rhyme schemes can be as varied as you like. You can stick to the boring ABAB or AABB quatrain n schemes if you wish (good luck with that), or stretch yourself with ABCABC or ABACBCBA or even ABCABDABEDBCAEB - if it was good enough for Dylan Thomas, then you should be just fine.

Bad poetry is full of cliches, phrases that are so hackneyed the poem becomes laughable. Avoid the use of flat, uninteresting phrases like 'You broke my heart' - a simile would be more interesting: 'I am shattered like pottery on the hard surface of your indifference' seems more poetically astute. 

Worse still is the use of cliched end rhymes. How often have you seen life/strife, or world/unfurled or love/above? 

Tip 5: Be inventive with your language. You needn't address your topic head on. You can approach it obliquely, and keep your reader intrigued. Again, what have you got to lose?

Avoid preachy poems - 'do this or else' type writing. Also, avoid poetry that is self centred, and harps on about how badly treated you have been.  The best poetry takes the mundane and every day, and transforms it into something magical. 

Finally - is there a name for bad poetry? Yep. It's known as doggerel. 

How are you going to avoid doggerel? Firstly, make sure your poetry creates emotional energy. Secondly, make your poetry unusual, interesting, intriguing, exciting etc. using whatever devices or techniques are at your disposal. Thirdly, create something that no-one else has ever created before - a new rhyme scheme, a new way of expressing the mundane, a new turn of phrase. Experiment and be different! Stand out from the crowd, and you're sure to be published! 

Steve Wheeler

Friday, 22 March 2024

Social Media Etiquette





It’s amazing how easy it is to hurt peoples feelings… especially when it pertains to their art. 


My girlfriend is a professional chef. I recently suggested that her food is expensive by my means. I never thought that she would take it to mean that her incredible creations were not worth it. I found myself with my fool foot in my mouth, and quickly apologized. 


Poetry is no different. I’ve seen so many poetry groups online that create such a toxic environment with jaunty criticism and self aggrandizing comments. They hurt. No matter how tough a person is… attacking them or anybody by denigrating something they are passionate about ultimately achieves nothing. 


Now an administrator on Invisible Poets, I was once a moderator. I would always accentuate a poets strengths, and treat each poet as a personal friend. Even today I do this when I can, and take great delight in encouraging someone to do something they love to do and are good at doing. That something is writing really good poetry.


Life is a constant learning experience. We can never be perfect. However, we can aspire to be something that we never were before. Once we get there, we can then work on becoming better with each particular endeavor. Eventually, we will be the best we can be… and that is a beautiful thing.


Poetry should not be a competition. It should represent a community based on communication and empathy. The very idea of Wheelsong is to promote quality poets by making a charitable difference. By its very character, it represents the most noble intentions by means of what amounts to a collectively humble poet soul. 


These noble intentions of humility are why I am proud to be a part of the Wheelsong family, and always will be for as long as I am needed… to encourage, promote, and exhilarate premiere poetry in order to make a difference.


Feel free to comment, and thank you for reading!


Matt Elmore




Monday, 18 March 2024

Wheelsong Poetry Anthology 4


Wheelsong Books was established in the UK in 2020 as a not-for-profit organisation. Its mission statement is twofold: To give emerging poets the means to reach larger audiences and to help those who are in need. Since then, the company has published 36 books including six charity poetry anthologies. Here are the anthology statistics: 


(a total of 1324 poems written by more than 400 poets representing 104 countries across all 6 continents) 

All the above books will remain on sale on Amazon and through other outlets, including Waterstones (UK) and Barnes & Noble (USA). The proceeds from Amazon sales of these six books is donated to Save the Children - a worldwide charity that supports children in crisis. At the time of writing, Wheelsong Books has donated more than £2800.00 ($3600.00) to Save the Children and we intend to raise a lot more money. In April we will be publishing Wheelsong Poetry Anthology 4.

Poet, here's the deal.... You have been given a wonderful creative gift, which is your ability to articulate your thoughts, ideas, memories and emotions in beautiful, evocative words. Using your talent, you can give back a little to children who are in desperate, often life-threatening situations. We all want our poetry to be read and appreciated by others. Publishing your work in Wheelsong Poetry Anthology 4 will ensure that you gain a new audience for your poetry, but that's not the most important aim! Better than this ... your poems will be helping to raise much needed funds to support children in crisis. You will also maintain ownership of your poem, and Wheelsong Books will protect and administer your copyright for you. 

To be considered for inclusion in the review process you will need to follow these instructions very carefully:

Firstly, do not bother to submit your poetry if you do not intend to buy at least one copy of the book. This is a charity publication, and all profits from Amazon sales will go to help children in crisis. If you're not prepared to invest in helping children, we won't be publishing your poetry (we are dismayed that almost two thirds of featured poets do not purchase a copy of the anthologies once they have been published!). Please give more than you take. 

Secondly, only submit poetry that is a) your own work and b) has not been subject to any other publishing agreement. Poetry you've shared on Facebook and other social media is fine. Please do not send in work that has been published elsewhere, or is subject to another publishing contract. That could lead to a law suit. The editorial team will reject poems if we suspect they have been either plagiarised, or generated by artificial intelligence.

Thirdly, submit up to 3 poems as either plain text or in a Word file via email to this address: wheelsong6@gmail.com. Submissions by any other means will not be considered. Poetry submitted as images or photos will not be considered, nor will links to other sites. And before you ask: There is no specific theme

Finally, all poems submitted will be subject to review by our editorial team. Your poetry will be anonymised (your name blanked out) so the editorial team can't see who you are. If your poetry is selected, you will be informed via email and a publication agreement will be sent to you for you to complete and return. Your work will be then published under your name. If your work is not accepted for publication, you will receive an email informing you of the team's decision. No correspondence other than via email will be valid. Please don't try to text or direct message us. We won't answer. 

The window for submission is now open, and will be closed on Tuesday 2 April. Any submissions received after this date will be rejected. If there is an extension to this date, you will be informed. The editors' decisions are final. 

NB: Shorter poems are more likely to be accepted for publication than longer pieces - space will be limited in the book due to resource and production limitations. Several poetry groups will participate, including Invisible Poets, Wheelsong Poetry, Pure Poetry and Safe Haven. Poets from outside these groups are also eligible to take part, so point them to this blog, and keep visiting this blog to find out news as it unfolds. We look forward to reading your submissions. Good luck! 

Steve Wheeler (Editor in Chief) 

Photo courtesy of Save the Children

Saturday, 24 February 2024

A Book Review Of “All The Best” by Steve Wheeler




So many poetry books can be one shot wonders… perused then buried within those old dusty bookshelf graves. Then there are books that come along that irresistibly beckon for continual enjoyment and inspiration. Some may even offer sophisticated references as to how writing premiere poetry is really done. Behold…! All Of The Best” is THAT book.


This masterful collection from accomplished author, philanthropist, publisher, and retired university professor Steve Wheeler spotlights his most brilliant works from 2020-2023. Just shy of 300 pages, this book lavishly lives and breathes! It both whispers and shouts! It represents an epiphany of modern poetry… an absolutely fresh wind of wonders.


The names of chapters, portrayed in striking Latin and Greek terms such as “Vita et Mors” (Life and Death) or “Nepios” (Small Child), create lascivious layers of potent secrets laid out throughout the book that Wheeler has become so well known for.


Thunderous themes branch out into exuberant impressions to create a tempestuous tapestry of opulent observations. 


The theme of revering innocence of children always seems to remain closest to Steve’s heart. Of little babies, Wheeler writes “… your life is precious pure and new, heaven is made of ones like you” (Suffer Little Children). In “World Of Wonders” he displays a plethora of his impressive adventures traveling the world, yet humbly concludes with “… no wonder of the world could so assuage my darkest fears as the wonder of a new born child”. 


The poem Yasmina is a hidden gem. Yasmina is a pet hen that a young Syrian boy innocently and obliviously mourns the loss for in becoming a necessary dinner…. it truly represents the best of “the best”.


This crafty balance of his extensive experience, with an impassioned representation of the human condition, make up but one facet of the author’s dense repertoire. Wheeler possesses a penchant for assonance and alliteration like no other… a metaphor master supreme. Steve becomes a wizard of poetic tools and devices to be learned from and to celebrate with this massive monument to his talent.


He also repeatedly turns a delightful phrase with pointed lines like “I’m having the time of your life (from Borrowed Time), or “I have a way with words and words have their way with me”.  (from The Poet).


His poems dance upon extensive topics of what he refers to in the book description as “love, faith, nature, war and peace, dreams and nightmares, fantasy, science, and travel”. 


He expounds on the ethereal to the absurd with seamless grace, navigates realms of pop culture and lost love, from divine revelations to everyday Joe observations, with a tactile turn of every dreamy page.


On being rich Wheeler writes “… he drank like a fish and slept like a cat, with golden cushions wherever he sat..” (On Top Of The World). Of related excessively privileged revelry, he reveals “… you pays your money, drinks your beer, but it’ll all end up in tears if your actions make you disappear from the eternal inventory.” (Gardening Leave).


Poems on the homeless read “… the earth shall inherit the meek” (Homeless People).


So many inner city issues and observations shimmer in light and dark shades here. The poem Urban Transgression is a sequenced ambitious concept work which always comes first to my mind with this book. Its performance quality, flow, and rhythmic conceptualization accentuate a delightfully frightful rouges gallery of everyday souls. It is an incredibly raucous rant about divergent directions of characters and classes that encapsulates the imagination.


Of war he records “…although grandfather bravely soldiered on, He never made it to the river Sonne” (Star Of Mons), “… the bar will be open till we’re all dead on the floor, and the last person standing will be standing no more” (What Are You Wearing For World War III). 


Of art, he rhythmically writes with wry musicality “Earth takes to the floor with the moon, Moving to the rhythm of the old Nep-tune.” (Music Of The Spheres). Of the environment “This is the final log for what it's worth, of our good ship planet Earth” (Still Writing As The Ship Goes Down).


As a man of God and sincere faith, Steve devotionally reaffirms his Christianity over and over successfully throughout. On the divine purpose he writes full of the spirit, “… they’ll never find life while His truth they deny”. 


Yet his watchful gaze also encompasses the entire picture as well. On misdirected churches he prays “… help us lord, to build a church where people love to flock, as they visit our museum, a hearse made out of rock.” (Stained Glass Avatars).


Of love sweet love he covers both ends of the fidelity fence, starting with everyday adoration “… when it’s all said and done, tell me what’s in your head, show me stories you read ,then take me to bed” (Give Me). 


Of domestic squabbles “Best of friends now two of a kind , you in your neck brace, and I in mine” (Fight Club), or “You’re the one that love (and hate) the very most”. He perfectly wraps darling love up in this beautifully ending sonnet couplet “For you, oh rise and setting of my sun, I cannot say how deep my love may run” (from the glowing love poem How Deep).


A comprehensive review of this magnitude could never be possible with the brevity of a simple blog like this. An entire book could be written about the utilization of Steve Wheeler's playbook of advanced executions. Dizzying amounts of essays could be recorded on studying the many incorporations of all the effective tools in his poetic tool belt. Antithesis, paradox, allegory, metonymy, etc… from the humorous to the sublime… at times both… this one has it all.


“All The Best” sits on my desk as an ever accessible roadmap of expression and application that I now and forever will refer to for inspiration in my own writing. It constitutes everything about the street poet soul I have always aspired to capture. 


This book is not only a reference guide of inspiration for writers. I simply believe it contains some of the greatest contributions to modern poetry to date. If you are a writer, or just simply a lover of entertainingly provocative and beautiful poetry … you need this book. Period. Ad Infinitum.


Matt Elmore


Invisible Poets Anthology 4

I find it amazing that a small germ of an idea from three years ago has slowly evolved into a large, vibrant and creative community of poets...