Are you being taken seriously?

This is an opinion piece, and I anticipate a bit of flak from some people, but I write this post from a position as an editor, publisher and owner/founder of four successful online poetry groups. And do bear in mind, this piece has been written to try to help poets improve their chances of being noticed and possibly even published in due course. 

Please comment in the box below if you want dialogue on this subject. I'm very happy to reply to serious questions and comments. 

How can you be taken seriously as a poet? Firstly there will be some who might reply that they don't really care whether they are taken seriously or not. But I suspect that most people who write poetry want their work to be taken seriously. At the minimum, most poets would rather not be ignored. And yet that is exactly what I see happening in my online poetry groups. Poeple post poetry that is ignored by most. Or it is poetry that fails to get accepted for anthologies or other publications. 

Pen Names. Firstly, writing under your own name, or at least a pen-name that is not ridiculous is an absolute requirement. How you represent yourself is very important, Those who use contrived pen-names, or noms de plume that are jokey do not generally have their work taken seriously. At Wheelsong Books our editors tend to ignore those who we can't take seriously, and the first impression - the name of the poet - is important in setting the atmosphere for any review. 

Emojis. Secondly, the use of emojis and other embellishment in a poem is often a turn-off to a reviewer or reader. The question must be asked: why does the poet use lots of smileys, hearts, and other emoticons in their work? Is it because they lack any confidence in their own writing? It is certainly a distracting feature, and as an editor/reviewer I tend to ignore poems with an overload of emojis. 

Upper case lettering. Thirdly, poetry that is presented totally in upper case lettering seems amateurish. In old money, upper case lettering was considered shouting in text and social media cultures. In poetry, the overuse of upper case lettering makes it appear as though the writer is desperate to be noticed, and again, they lack confidence that their writing alone will keep the attention.

Be original. Fourthly, if you wish to be taken seriously as a poet, make sure your work is original. There is nothing worse in poetry than reading old, jaded phrases that others have used before. The forced rhyme or the predictable line is a clear indication that the poet is struggling to express themselves and maybe has lost their way.

AI Generated poetry. Finally, as an addendum to the last point, you won't be taken seriously (and may even be sanctioned) if you persist in submitting or posting poetry that has been generated by artificial intelligence. You would be surprised by how many posts each day we reject from our online poetry groups. You might also be horrified at the number of people we ban from the group if they persist in this practice. It's dishonest and might even be breaking copyright laws.

So there you have it. Five key points to remember if you wish to be taken seriously as a poet. I believe most of these apply to online poetry groups worldwide, and definitely apply in the publishing world.

Steve Wheeler 

Photo from Wikimedia Commons

Behaving Badly Online

As a psychologist, I'm fascinated by how people behave, and I founded my academic career on researching how people behave when they are online.

Invisible Poets and several of the other poetry groups I run are online. This means I have a vested interest in understanding how poets conduct themselves in online spaces.

One of the key factors of online life is anonymity. There's a great cartoon showing two dogs at a computer screen. One says 'Nobody knows you're a dog on the internet!' 

People can, and sometimes do mask their identities online. Many don't share their real names or prefer to use noms-de-plume (as conventional writers have done for centuries), and this affords some kind of anonymity. Unfortunately some (a very few thankfully) see this as an opportunity to behave badly. 

They feel that because they are anonymous, they can behave as they like and there will be no consequences. It's similar to the abuse you might get from another motorist. The other driver feels once removed because they are safe in their own vehicle. They wouldn't dream of shouting abuse at you if you were together, face to face in one room. In psychology this is known as disinhibition. Individuals feel less socially inhibited because of their context, in this case hiding behind a fake digital avatar or persona. They think this gives them licence to act like idiots.

Bad online behaviour takes many forms, from abuse and trolling, through stalking and misogyny to masquerading as someone else. Commonly in poetry groups, the individual pretends to be interested in your work and then offers to promote or publish you. Often they are simply trying to appeal to your vanity so they can exploit you.

Others do their best to scam you out of money by pretending to be down on their luck, or in debt, or suffering a serious illness. There are also a few blatant plagiarists out there (more on this in my next blog post) who have no scruples about stealing your idea and pretending it's theirs. 

Any and all of these types of individuals are removed from my groups without a second chance. There is no strike two. And that, dear friends is how we try to keep our poetry groups safe. You can help, by calling out these bad behaviours and informing Admin if you spot them. 

Steve Wheeler 

Image used under Creative Commons License from Pexels