The Irish Bards

Coming as I do from Irish stock (my maternal ancestors were from Cork, Waterford and Dublin), I love visiting Ireland. It feels like coming home. On one trip with my wife, we visited the Dublin writers museum. It's well worth a visit to be sure.

Irish poetry is one of the oldest and most celebrated literary traditions in Europe, with a history stretching back more than 1500 years. It has evolved through periods of political upheaval, religious change, colonisation, and cultural revival while remaining deeply connected to Ireland's language, landscape, and identity. From the ancient Gaelic filí to contemporary poets, Irish poetry has preserved the nation's history, expressed its struggles, and celebrated its rich cultural heritage.

The origins of Irish poetry lie in the oral traditions of early Gaelic society. Professional poets, known as filí, occupied positions of great importance in medieval Ireland. They composed praise poems for kings and chieftains, recorded genealogies, preserved myths, and recounted heroic legends. Their poetry followed strict rules of metre and rhyme and was often passed down orally before being written in manuscripts such as the Book of Leinster and the Book of the Dun Cow. Nature, heroism, spirituality, and mythology were recurring themes, reflecting the close relationship between the Irish people and their land.

The arrival of Christianity in the fifth century significantly influenced Irish poetry. Monasteries became centres of education where monks preserved both religious and secular literature. Christian faith blended with older Celtic traditions, producing poetry that celebrated faith while retaining the imagery and symbolism of earlier Gaelic culture. These monastic communities played a crucial role in preserving Ireland's literary heritage during the medieval period.

The English conquest of Ireland from the sixteenth century onwards led to the decline of the Gaelic aristocracy, weakening the traditional patronage system that had supported professional poets. Despite political repression, many continued writing in Irish Gaelic. Aogán Ó Rathaille was one of the last great Gaelic poets, expressing grief over the collapse of the old Irish order in powerful political and elegiac verse. Brian Merriman, best known for The Midnight Court, combined satire, humour, and social criticism, demonstrating the resilience of Irish-language poetry during a period of profound cultural change.

The eighteenth and nineteenth centuries witnessed a renewed interest in Irish culture and folklore. The poet philospher Thomas Moore achieved international popularity through his Irish Melodies, which blended traditional Irish music with patriotic and romantic verse. James Clarence Mangan translated Gaelic poetry into English while producing original works that reflected themes of nationalism, exile, and suffering. Sir Samuel Ferguson also contributed to the revival of Irish mythology through narrative poetry inspired by ancient legends.

The Irish Literary Revival at the end of the nineteenth century marked one of the most significant periods in Irish literary history. Its leading figure, William Butler Yeats transformed Irish poetry by combining folklore, mythology, mysticism, and politics with innovative poetic techniques. His collections, including The Tower and The Wind Among the Reeds, explored themes of love, national identity, ageing, and spirituality. Yeats was awarded the Nobel Prize in Literature in 1923, becoming the first Irish writer to receive the honour and helping establish Irish poetry on the international stage. Alongside Yeats, Lady Augusta Gregory and George Russell (aka AE) promoted Irish literature and preserved many elements of Irish folklore and tradition.

Throughout the twentieth century, Irish poetry became increasingly diverse and personal. Patrick Kavanagh challenged idealised portrayals of rural Ireland by writing honestly about farming life, loneliness, and ordinary experience in poems such as The Great Hunger. His work demonstrated that profound poetry could emerge from the prosaic. Although best known as a playwright and novelist, Brendan Behan also wrote poetry that reflected working-class Dublin, political conflict, imprisonment, and Irish identity. His poetry shared the wit, compassion, and rebellious spirit that characterised his dramatic works.

In the latter half of the twentieth century, some of Ireland's most celebrated poets emerged. Seamus Heaney, awarded the Nobel Prize in Literature in 1995, explored memory, history, farming and the Troubles in Northern Ireland through richly textured language and imagery. Along with Heaney, Derek Mahon, Michael Longley and Paul Muldoon addressed themes of conflict, identity, and cultural memory with distinctive poetic styles. Eavan Boland transformed Irish poetry by giving voice to women's experiences and challenging traditional literary perspectives, while Nuala Ní Dhomhnaill revitalised contemporary poetry in the Irish language through mythological and feminist themes.

Today, Irish poetry continues to thrive through the work of contemporary poets such as Sinéad Morrissey, Leontia Flynn and Doireann Ní Ghríofa, whose writing reflects contemporary concerns including identity, migration, memory, family, and environmental change. Many modern poets continue to write in both Irish Gaelic and English, maintaining Ireland's bilingual literary tradition while adopting new forms of expression.

Steve Wheeler

Photo by Irish Paper Freestock

Irish Poetry

I have always been attracted to Irish poetry. Maybe it's because my ancestors were Irish (My maternal great grandmothers were born in Cork and Waterford), or maybe it's because I appreciate the lyrical and rhythmic quality of it. I could never get enough of Seamus Heaney, James Joyce (Ulysses, although not poetry, is one of my favourite novels, and has directly influenced my own writing), and William Butler Yeats. Several years ago I was in Dublin with my wife (I was on a speaking trip, and she is a teacher of English) and as we were walking around the city, we stumbled upon the Dublin Writers Museum. We spent a fabulous 4 hours wandering around, just soaking up all the history, memorabilia and sense of awe at the collected talent of Irish poetry. If you're ever in Dublin, it's a must visit!

One of the jewels in the Wheelsong Books crown is a young Irish poet named Aoife Cunningham. She is a rare talent - a poet who writes far in advance of her years, and who taps into the visceral emotions and events that happen around her with brutal honesty and contagious humour. It really is a pleasure to read her poetry, and we had the distinct pleasure to publish her debut collection of poetry, Circus of Circles in 2024. 

Circus of Circles is currently enjoying a surge of interest in sales. Aoife is fairly prolific anyway, so people are reading her work on our poetry groups with regularity. But they are also showing an interest in owning a copy of her beautiful work. Circus of Circles has recently been in the top 3 of Amazon's Irish poetry best sellers (yes, this is a fickle and rapidly changing chart, which depends upon arcane rules and algorithms that I suspect even the Amazon wizards don't fully understand .... since when was Dylan Thomas an Irish poet?) 

Here is Aoife Cunningham's profile: 

Key facts and background

• Aoife grew up in a rural area around Galway, in a family of six children: she is a twin to her brother, with two younger twin sisters and two older brothers. Source: Connacht Tribune

• She began writing poetry at around age 16 following a difficult period with her mental health — writing became a kind of lifeline for her. Source: Galway City Tribune

• Her writing is described as raw, unapologetic, and emotionally honest. She calls herself a “heartist”—combining “heart” and “artist.” Source: Connacht Tribune

Work & Achievements

• Her debut poetry collection is titled Circus of Circles. 

• She launched “Circus of Circles” in December 2024—at the University Hospital Galway (UHG), as a gesture of gratitude to the hospital staff who had supported her during her difficult times. Connacht Tribune

• Many of the poems in that collection were written while she was in hospital. galwaydaily.com

• She has performed spoken-word poetry at events such as the Galway Fringe Festival (Fringe), at Dublins’ Àras Chrónáin, and at public literary events like those run by Over the Edge Literary Events in Galway. Connacht Tribune

Her Perspective & Style

• Her poetry seems deeply personal and oriented around healing, mental-health journeys, vulnerability — using art as a path to recovery and self-expression. Connacht Tribune

• By choosing to launch her book in the hospital where she had received her care, she deliberately highlights the connection between art, healing, community, and gratitude. 

Circus of Circles is the first we hope of many collections we will see from Aoife Cunningham. Yes, the poetry is as colourful and evocative as the jazzy cover art. It's a volume of poetry that will not age, but will remain a snapshot of her prodigious writing talent. You can purchase your copy of Aoife's Circus of Circles from all good online bookstores *listed here, or directly from Wheelsong books by emailing wheelsong6@gmail.com

*Proceeds of the sales from this book will be donated to Save the Children by request of the author.

Steve Wheeler