But it sounded like they had a lot of fun in the midst of an otherwise very dull society (in 1915 everything was in black and white).
In the 1950s, over in the good ol' USA, the Beat Poets movement was just starting. One of the craziest members of this crazy gang of avant-garde poets and writers was William S. Burroughs, author of The Naked Lunch and other works. He rubbed shoulders with the likes of Jack Kerouac, David Bowie and Allen Ginsberg, but was also close friends with Brion Gysin, a British-Canadian painter, performance poet and inventor.
Together Gysin and Burroughs developed the concept of the cut-up technique, which had its roots in the Dada movement. Cut-up involves taking a fully formed piece of text (or maybe several pieces) and cutting out text randomly, either in sentences, phrases or even single words. The cut-out strips can be assembled into a new piece of text. This can be done at random, or with purpose.
There are many variations of this method. Someone on the blog yesterday posted a comment about word tiles and how they can inspire poetry. Throw them down and see what emerges. That's a great idea along similar lines to the above approaches. It can generate some powerful inspiration.
I also developed my own technique around found poetry, which involves a similar method to cut-up but instead of snipping out the words, I use a highlighter pen to randomly select words and sentences within a piece of printed text and then creating a collage from them. This follows the bricolage method espoused by the likes of Claud Levi-Strauss, where you can 'do it yourself' bypassing normal techniques and gaining instant access to random creativity and inspiration.
Yes, these are very post-modernist methods, but in the event of a road-block to your creativity, they might be just what you are looking for to restart your creative engine. Comments as ever, as most welcome.
Steve Wheeler
Image from Wikimedia Commons
