Pushing the Boundaries

Yesterday I was in the studio recording a series of short radio shows in my Poets Corner slot for CrossRhythms Radio. The show is divided into two short sections with a music track played in between. In the first section I provide some background and context for my poem choice, and in the second section I perform the poem. It's simple but effective and the shows go out every weekday afternoon. 

In one of my shows yesterday I talked about experimental poetry and told the story of how I became interested, and then inspired by avant garde poets and writers. Here's the story again for those many of you who will never get the chance to listen to the show.

I was in my late teens, and had been writing poetry for a short while during my school years. Now in my first job at a local college, I was seconded for a week or so to work in the college library. It was quite a large library in several floors, and the book stacks were huge. One of my tasks was to preserve some of the paper back books by removing their covers, and then rebinding them in hard covers, with the original paper outers incorporated into the new cover. It was fun, although fiddly, and I always managed to get my fingers covered in glue. 

During this time, the library was disposing of many of its old stocks of books. These included poetry and other literature. I spotted a pile of old poetry books and asked one of the library staff what was happening to them. She replied that they were being thrown out, and that if I wanted any I should just take them. I carried a boxful home with me, and I still have most of them in my collection. 

Some that caught my eye included works by e. e. cummings, Charles Bukowski and Philip Lamantia. These great American poets wrote amazing out-of-left field poetry that left me gasping for breath. I never knew that the English language could be manipulated in such inventive ways! Then I read the work of Welsh poet Dylan Thomas, who created vast lyrical landscapes of metaphors, similes and wordplay that inspired me even more.  

Soon I began to write in similar ways, not in blind slavish copying, but through experimentation and trial and error. I began to perform my new experimental poetry live, and got more positive responses than I did negative ones (you'll always get both). I'm now at the point in my poetry life where I feel I can push the boundaries continually to try to find new ways of experessing myself and new ways of manipulating the English language to create new wordscapes. 

My interactive textbook Creative Deviance and more recently my poetry collection eXp exemplify this creative risk taking and showcase what I have found to be possible. I hope in time these books will inspire poets to push their own boundaries just as cummings et al inspire me to push my own.

Steve Wheeler

Photo (c) Wheelsong Books Ltd

SPECIAL OFFER: If you purchase a copy of Creative Deviance directly from Wheelsong Books: wheelsong6@gmail.com you will also receive a copy of eXp absolutely free. 

Passion for Poetry

Why did I start to write poetry? What was the catalyst? It all began when I was around 18 or 19 years old. I was working at a local college, in the technical department that supported academics and students in their teaching and learning. I was seconded to the library, where one of the tasks was to take valuable paperback textbooks and prolong their lives by removing the flimsy covers, and dismantling them, before pasting them onto card and then reconstructing them with a laminate cover. Thus I learnt how to book-bind. 

While working in the library over those months, I happened by chance to walk past the literature section, and there... in the middle shelves, I found the works of Dylan Thomas. I admit, at first, it was heavy going, but after a while of reading the Welsh bard, I became seriously hooked on poetry. The library was throwing out a pile of old poetry books that had seen better days. I managed to grab a dozen or so, and took them home to read - I still have them in my collection today. One particular Penguin edition contained the work of Charles Bukowski, Harold Norse and Philip Lamantia - three American poets that inspired me further. 

Soon afterwards, I was writing my own experimental forms of poetry, and eventually, I began to perform my work at festivals, open mics and so on. It's important to acknowledge your roots and inspiration. For me the encounter with these four poets led me down the road to a lifelong love of poetry, both reading and writing. 

What was your inspiration? What has fuelled your passion for poetry? Why are you writing poetry right now? Answers in the comments box below please!