Showing posts with label Ezra Pound. Show all posts
Showing posts with label Ezra Pound. Show all posts

Tuesday, 7 July 2026

Celebrating American Poetry


I have always been fascinated by America. I've been privileged to travel many times, and even on occasion, work in America over my years as an academic. One big connection I have is that my home city of Plymouth is the location for the Mayflower Steps - from where the 'Pilgrims' set sail in 1620. The time I spent in California, Nevada, South Dakota and Minnesota, as well as travels along the Eastern seaboard, always remind me that we are one people separated by a common language! I'm a great fan of American poetry, so it's high time I wrote something to celebrate this particular genre of poetry. 

Here is a brief history of some of the most prominent American poets, each one hyperlinked to a biography and other relevant information (I encourage you to click on these links because they are incredibly informative!)

The earliest American poetry emerged during the colonial period of the seventeenth century. Much of it was influenced by those Pilgrims I previously mentioned - the Puritan settlers of New England, whose poetry focused on faith, morality and spiritual life. One of the first published American poets was Anne Bradstreet, whose collection The Tenth Muse Lately Sprung Up in America (1650) was a personal reflection on her faith and family. Another important colonial poet, Edward Taylor, wrote deeply spiritual poetry that remained largely unpublished until the twentieth century but is now recognised as one of the finest examples of early American devotional poetry.

Following the American Revolution, poetry increasingly reflected the ideals of independence and national identity. Writers sought to distinguish American literature from its British roots by celebrating democracy, liberty and the nation's landscapes. Philip Freneau, often dubbed the 'Poet of the American Revolution,' wrote patriotic and political poems while also exploring nature and Native American life. His work helped establish a distinct American literary voice during the nation's early years.

The nineteenth century marked the emergence of some of America's greatest poets. The romantic poet William Cullen Bryant was famous for his meditations on nature and mortality, while Henry Wadsworth Longfellow gained international fame through narrative poems such as The Song of Hiawatha and Paul Revere's Ride. Longfellow's accessible style widened the appeal of poetry and helped establish American literature abroad.

Two of the most influential poets of the nineteenth century were Walt Whitman and Emily Dickinson, whose innovations transformed American poetry. Whitman's Leaves of Grass rejected traditional poetic forms in favour of free verse, celebrating democracy, individuality and the diversity of American life. His expansive style and optimistic vision influenced generations of poets around the world. In contrast, Dickinson wrote short, intensely personal poems that explored death, faith, nature and the inner self. Although most of her work was published posthumously, she is now regarded as one of America's greatest lyrical poets. Another influential poet and writer of the time was Edgar Allen Poe, who introduced the world to poetry that could be mysterious with a hint of the macabre. 

The twentieth century was characterised by an extraordinary diversity in American poetry. Modernist poets such as T. S. Eliot, Ezra Pound, and Marianne Moore experimented with language, symbolism, and fragmented forms to reflect the complexities of modern life. Edward E. Cummings took such creative deviance to another level with his experimentation in the fracturing of form, structure and meaning.  

The Harlem Renaissance of the 1920s introduced powerful African American voices, including Langston Hughes and Claude McKay, whose poetry celebrated Black culture while confronting racism and inequality. 

Following the Second World War, American poetry continued to diversify. Robert Frost gained widespread acclaim for poems rooted in rural New England that explored universal human experiences. Allen Ginsberg, a leading figure of the Beat Poets (see my earlier post for a fuller explanation of this movement), challenged conventional society through bold, experimental works such as Howl.  The raw, honest and dry realist poetry of Charles Bukowski influenced generations of free form poets. 

Other influential poets, including Sylvia Plath, Anne Sexton, and Robert Lowell, pioneered confessional poetry by examining mental health, family relationships and personal identity with brutal honesty. In the 70s Gil Scott Heron incorporated the spoken word and extemporised music into his politically aware street poetry. Carl Sandberg wrote vibrant celebrations of American industrialism, championing the working class through accessible, free-verse language.

The late twentieth and early twenty-first centuries have seen American poetry become increasingly inclusive. Poets such as Maya AngelouLouise Glück and Rita Dove all addressed issues such as race, gender, history, indigenous identity and social justice. Their work reflects the multicultural nature of contemporary America and demonstrates the continuing ability of poetry to inspire dialogue and social change. In 2021 The Hill We Climb by Amanda Gorman introduced a new generation to the power of poetry in public life when she performed it at the presidential inauguration of Joe Biden

We have seen that the history of American poetry is one of constant innovation and diversity. From the devotional verse of Bradstreet to the democratic vision of Whitman; the introspection of Dickinson, the modernism of Eliot; the experimentation of Cummings and Pound; to the contemporary voices of Angelou and Gorman, American poets have continually redefined what poetry is able to achieve. Their work reflects the nation's history while exploring universal questions of identity, freedom, and human experience, form and meaning, which ensures that American poetry remains one of the world's most dynamic literary traditions. 

Steve Wheeler

Image copyright 2026 by Steve Wheeler

Friday, 31 May 2024

Experimental Poetry 9: Anarchic poetry


You want anarchy? You got it! Anarchy is a state of disorder caused by rejection of rules and authority. It is the basis of a number of art movements including Abstract impressionism, Surrealism, Dadaism and punk rock. Poetry too has its anarchic poets. Read for example Ezra Pound, James Joyce or e. e. cummings. The latter rejected the use of upper case letters, hence the alternative presentation of his name. Edward Estlin Cummings as I will present him, experimented mercilessly not only with words, but also the form in which they were presented. He even misused punctuation deliberately to create feelings of disorientation, fragmentation and unease. In short, cummings used just about every aspect of language to create atmosphere and hammer home his messages. 

Method 15: Syntactic Deviance. Here, there is a total lack of regard for the conventional. You really will need to step outside your comfort zone, and this is where most of you will give up. And yet, if you do pursue this avenue of experimentation, you'll discover new ways of presenting your art of poetry which might otherwise have passed you by. Forget all the rules of grammar and punctuation. Spell things differently. Create sentences without verbs. Turn the writing upside down. Write diagonally or in reverse. Be absurd in what you write. Everything and anything goes. 

For me, this is one of Cummings' best poems: It dwells on loneliness and has the metaphor (a leaf falling) inside the word loneliness. It is inventive, disruptive and unexpected. In short, it is anarchic poetry. It breaks all the rules, including fragmentation of the words to signify a slow falling of the leaf. 

Method 16: Morphological Innovation. This is where you might dispense with conventional words and create your own. You might like to take a word and extend it to convey a meaning. Delicious becomes un-delicious, or chocolate becomes chocolate-ness. Go even further and blend words together to make new ones, or neologisms. A rabbit's burrow becomes its rabbitat and agonising over the loss of your luggage becomes bagonising. Be inventive. There are no rules, and you'll create your own language of poetry! These new words are known as portmanteaus and they are a part of morphological innovation. 

Method 17: Ad Nauseum. This Latin phrase means 'until sick'. This is the point in your poetry where you can go completely out on a limb and do totally unpredictable stuff. And then do it again, and again, and again, until it sickens, and then keep doing it until you run out of paper. 

Steve Wheeler

Previous posts in this series

Experimental Poetry 1: Found Poetry
Experimental Poetry 2: Stream of Consciousness
Experimental Poetry 3: Fake Translations
Experimental Poetry 4: Overlapping Voices
Experimental Poetry 5: Random Prompts
Experimental Poetry 6: The Movie Method
Experimental Poetry 7: Unexpected End Rhymes
Experimental Poetry 8: Calligrams

Image from Wikimedia used under a Creative Commons licence.


Wednesday, 15 May 2024

Experimental Poetry 2: Stream of Consciousness


This is the second post in my series on experimental poetry. There are many poets who, down through the ages, have tried to push the boundaries of poetry beyond what is expected, and in some cases, what some might consider acceptable. But poetry, as I will keep saying, has no rules. Look at the work of poets such as Ezra Pound, e e cummings and Edwin Morgan, and you will see this is true. 

One of the ways to break out of a poetic rut is to forget all the rules and techniques you already adhere to when you write (Yeah, I know. It's not easy), and just write freely and without any constraints. 

Method 5: Stream of Consciousness is a technique where you simply write (or speak into a recorder) at random, using whatever comes into your mind. Better still, try writing without even thinking - unconsciously.  Perhaps the results will be unusable or gibberish. It doesn't really matter. You are creating something. Just keep writing and do it very fast. Let your mind run away with you. Sooner or later there will be something that emerges that you could never have created by simply sticking to your tried and tested methods. 

This method might result in some really strange and original poetry, but even if it doesn't, the very act of writing freely without thinking too much will loosen you up as a poet, and allow you to exercise and develop your writing agility. Who knows, it might even make you stand out from the poetic crowd!

Steve Wheeler

Photo from RawPixel used under a Creative Commons Licence

Previous Post

Experimental Poetry 1: Found Poetry

English performance poetry

Those who know me will know my history in performance poetry. This emerged largely from my stage presence as a musician and front-man for se...