Showing posts with label Gil Scott Heron. Show all posts
Showing posts with label Gil Scott Heron. Show all posts

Tuesday, 7 July 2026

Celebrating American Poetry


I have always been fascinated by America. I've been privileged to travel many times, and even on occasion, work in America over my years as an academic. One big connection I have is that my home city of Plymouth is the location for the Mayflower Steps - from where the 'Pilgrims' set sail in 1620. The time I spent in California, Nevada, South Dakota and Minnesota, as well as travels along the Eastern seaboard, always remind me that we are one people separated by a common language! I'm a great fan of American poetry, so it's high time I wrote something to celebrate this particular genre of poetry. 

Here is a brief history of some of the most prominent American poets, each one hyperlinked to a biography and other relevant information (I encourage you to click on these links because they are incredibly informative!)

The earliest American poetry emerged during the colonial period of the seventeenth century. Much of it was influenced by those Pilgrims I previously mentioned - the Puritan settlers of New England, whose poetry focused on faith, morality and spiritual life. One of the first published American poets was Anne Bradstreet, whose collection The Tenth Muse Lately Sprung Up in America (1650) was a personal reflection on her faith and family. Another important colonial poet, Edward Taylor, wrote deeply spiritual poetry that remained largely unpublished until the twentieth century but is now recognised as one of the finest examples of early American devotional poetry.

Following the American Revolution, poetry increasingly reflected the ideals of independence and national identity. Writers sought to distinguish American literature from its British roots by celebrating democracy, liberty and the nation's landscapes. Philip Freneau, often dubbed the 'Poet of the American Revolution,' wrote patriotic and political poems while also exploring nature and Native American life. His work helped establish a distinct American literary voice during the nation's early years.

The nineteenth century marked the emergence of some of America's greatest poets. The romantic poet William Cullen Bryant was famous for his meditations on nature and mortality, while Henry Wadsworth Longfellow gained international fame through narrative poems such as The Song of Hiawatha and Paul Revere's Ride. Longfellow's accessible style widened the appeal of poetry and helped establish American literature abroad.

Two of the most influential poets of the nineteenth century were Walt Whitman and Emily Dickinson, whose innovations transformed American poetry. Whitman's Leaves of Grass rejected traditional poetic forms in favour of free verse, celebrating democracy, individuality and the diversity of American life. His expansive style and optimistic vision influenced generations of poets around the world. In contrast, Dickinson wrote short, intensely personal poems that explored death, faith, nature and the inner self. Although most of her work was published posthumously, she is now regarded as one of America's greatest lyrical poets. Another influential poet and writer of the time was Edgar Allen Poe, who introduced the world to poetry that could be mysterious with a hint of the macabre. 

The twentieth century was characterised by an extraordinary diversity in American poetry. Modernist poets such as T. S. Eliot, Ezra Pound, and Marianne Moore experimented with language, symbolism, and fragmented forms to reflect the complexities of modern life. Edward E. Cummings took such creative deviance to another level with his experimentation in the fracturing of form, structure and meaning.  

The Harlem Renaissance of the 1920s introduced powerful African American voices, including Langston Hughes and Claude McKay, whose poetry celebrated Black culture while confronting racism and inequality. 

Following the Second World War, American poetry continued to diversify. Robert Frost gained widespread acclaim for poems rooted in rural New England that explored universal human experiences. Allen Ginsberg, a leading figure of the Beat Poets (see my earlier post for a fuller explanation of this movement), challenged conventional society through bold, experimental works such as Howl.  The raw, honest and dry realist poetry of Charles Bukowski influenced generations of free form poets. 

Other influential poets, including Sylvia Plath, Anne Sexton, and Robert Lowell, pioneered confessional poetry by examining mental health, family relationships and personal identity with brutal honesty. In the 70s Gil Scott Heron incorporated the spoken word and extemporised music into his politically aware street poetry. Carl Sandberg wrote vibrant celebrations of American industrialism, championing the working class through accessible, free-verse language.

The late twentieth and early twenty-first centuries have seen American poetry become increasingly inclusive. Poets such as Maya AngelouLouise Glück and Rita Dove all addressed issues such as race, gender, history, indigenous identity and social justice. Their work reflects the multicultural nature of contemporary America and demonstrates the continuing ability of poetry to inspire dialogue and social change. In 2021 The Hill We Climb by Amanda Gorman introduced a new generation to the power of poetry in public life when she performed it at the presidential inauguration of Joe Biden

We have seen that the history of American poetry is one of constant innovation and diversity. From the devotional verse of Bradstreet to the democratic vision of Whitman; the introspection of Dickinson, the modernism of Eliot; the experimentation of Cummings and Pound; to the contemporary voices of Angelou and Gorman, American poets have continually redefined what poetry is able to achieve. Their work reflects the nation's history while exploring universal questions of identity, freedom, and human experience, form and meaning, which ensures that American poetry remains one of the world's most dynamic literary traditions. 

Steve Wheeler

Image copyright 2026 by Steve Wheeler

Friday, 8 September 2023

Poetic devices 8: Rhythm and Tempo

If you're asked about tempo or rhythm in poetry it's likely you'll think about Rap. Appropriate really, because RAP stands for Rhythm And Poetry. Dig down into the history of Rap and you'll see it has its roots in the nightclub scene of 1970s New York City. MCs - or DJs - would talk rhythmically in between songs against a beat backdrop. From this, the idea of creating rhythmic spoken word came into being. 

Arguably, Rap goes back even further... and certainly there is a long history of the spoken word set to a beat. Listen for example to the political poetry of Gil Scott-Heron in the 60s, and try to tell me it didn't have an influence on Rap. 

Here's an example...it's from 1969 and it's called Whitey on the Moon

Rhythm in poetry is not limited to Rap, of course. In a previous post I argued that certain poetic devices can create a rhythm in a poem because of the sounds they produce, either when spoken out loud, or via internal self-vocalisation when reading the text. It's all about the beat, and the pace of the poem. For example, in the written word there are stressed syllables (long sounding) and unstressed syllables (short sounding). An iamb such as Today is a two syllable word where the first is unstressed (short) followed by the second stressed syllable (long): toDAY

Sonnets derive their rhythm from iambic pentameter (an iamb is a two syllable phrase) - words that are stressed and unstressed in pentameter - five beats or steps per line. Shakespeare knew how to do this:

[shall I] [comPARE] [thee TO] [a SUM][mer's DAY]

You get the idea how it works. Change the stress of the syllables - and the beat and pace of the poem changes. 

Have a go at creating different rhythms in your poetry by using different steps within your stanzas and lines. You can read up more about rhythm and metre in poetry at this link.

Steve Wheeler

Other posts in the Poetic Devices Series:

1. Simile

Wednesday, 5 July 2023

Urban poetry


What is urban poetry? Well, have you ever seen or watched a performance of poetry on the streets? I used to do this myself when I was younger. It takes some courage, but out on the streets you always have an audience of some kind. I would get on top of a wooden box with a microphone stand and perform my poetry to anyone who was walking by and who might be prepared to stop and listen for a while. Yep, I was a little bit more insane back then. I've seen others do similar. Urban poetry doesn't have to be outdoors. It can be anywhere. Some of the best urban poetry pops up unexpectedly and takes us all by surprise. 

Urban poetry is about being on the right side of history. It's about telling the truth in spoken word. It can be about down to earth subjects with which we can all identify, like love and loss, traffic jams, chip shop queues, losing your keys, self esteem, or simply... living in a city. More often than not, urban poetry is a protest about something - corrupt politicians, war, poverty, pollution, racism... you name it. If you want to speak out against something by writing and performing poetry, you can call it urban poetry. There's no room for flowery language in urban poetry. It's delivered in a no-compromise, earthy, gritty, street level rhythm and tempo with plenty of rhyme and some choice language too.

Classic urban poetry proponents include Manchester Poet Mike Garry performing Penny for the Guy in an outdoor market, or Gil Scott Heron with his classic The Revolution will not be Televised complete with a bass and drum accompaniment.

Look out also for excellent urban poets such as Harry Baker, the inimitable John Cooper Clark (here he is in 1980 with a poem about urban decay called Beasley Street) and Birmingham poet and playwright Benjamin Zephaniah (here with a 2009 performance of Dis Poetry)... all of whom have influenced my own writing and poetry performances and probably inspired me to write my 2020 collection Urban Voices. If you have poetry in you, and it is just screaming to get out, try the spoken word as well as the written word to get your message out there. You can do a lot worse than plunge into some poetry performances out on the street. 

Be an urban poet - and go make some waves. 

Steve Wheeler

Image copyright by Steve Wheeler 2023

English performance poetry

Those who know me will know my history in performance poetry. This emerged largely from my stage presence as a musician and front-man for se...