Showing posts with label Charles Bukowski. Show all posts
Showing posts with label Charles Bukowski. Show all posts

Tuesday, 7 July 2026

Celebrating American Poetry


I have always been fascinated by America. I've been privileged to travel many times, and even on occasion, work in America over my years as an academic. One big connection I have is that my home city of Plymouth is the location for the Mayflower Steps - from where the 'Pilgrims' set sail in 1620. The time I spent in California, Nevada, South Dakota and Minnesota, as well as travels along the Eastern seaboard, always remind me that we are one people separated by a common language! I'm a great fan of American poetry, so it's high time I wrote something to celebrate this particular genre of poetry. 

Here is a brief history of some of the most prominent American poets, each one hyperlinked to a biography and other relevant information (I encourage you to click on these links because they are incredibly informative!)

The earliest American poetry emerged during the colonial period of the seventeenth century. Much of it was influenced by those Pilgrims I previously mentioned - the Puritan settlers of New England, whose poetry focused on faith, morality and spiritual life. One of the first published American poets was Anne Bradstreet, whose collection The Tenth Muse Lately Sprung Up in America (1650) was a personal reflection on her faith and family. Another important colonial poet, Edward Taylor, wrote deeply spiritual poetry that remained largely unpublished until the twentieth century but is now recognised as one of the finest examples of early American devotional poetry.

Following the American Revolution, poetry increasingly reflected the ideals of independence and national identity. Writers sought to distinguish American literature from its British roots by celebrating democracy, liberty and the nation's landscapes. Philip Freneau, often dubbed the 'Poet of the American Revolution,' wrote patriotic and political poems while also exploring nature and Native American life. His work helped establish a distinct American literary voice during the nation's early years.

The nineteenth century marked the emergence of some of America's greatest poets. The romantic poet William Cullen Bryant was famous for his meditations on nature and mortality, while Henry Wadsworth Longfellow gained international fame through narrative poems such as The Song of Hiawatha and Paul Revere's Ride. Longfellow's accessible style widened the appeal of poetry and helped establish American literature abroad.

Two of the most influential poets of the nineteenth century were Walt Whitman and Emily Dickinson, whose innovations transformed American poetry. Whitman's Leaves of Grass rejected traditional poetic forms in favour of free verse, celebrating democracy, individuality and the diversity of American life. His expansive style and optimistic vision influenced generations of poets around the world. In contrast, Dickinson wrote short, intensely personal poems that explored death, faith, nature and the inner self. Although most of her work was published posthumously, she is now regarded as one of America's greatest lyrical poets. Another influential poet and writer of the time was Edgar Allen Poe, who introduced the world to poetry that could be mysterious with a hint of the macabre. 

The twentieth century was characterised by an extraordinary diversity in American poetry. Modernist poets such as T. S. Eliot, Ezra Pound, and Marianne Moore experimented with language, symbolism, and fragmented forms to reflect the complexities of modern life. Edward E. Cummings took such creative deviance to another level with his experimentation in the fracturing of form, structure and meaning.  

The Harlem Renaissance of the 1920s introduced powerful African American voices, including Langston Hughes and Claude McKay, whose poetry celebrated Black culture while confronting racism and inequality. 

Following the Second World War, American poetry continued to diversify. Robert Frost gained widespread acclaim for poems rooted in rural New England that explored universal human experiences. Allen Ginsberg, a leading figure of the Beat Poets (see my earlier post for a fuller explanation of this movement), challenged conventional society through bold, experimental works such as Howl.  The raw, honest and dry realist poetry of Charles Bukowski influenced generations of free form poets. 

Other influential poets, including Sylvia Plath, Anne Sexton, and Robert Lowell, pioneered confessional poetry by examining mental health, family relationships and personal identity with brutal honesty. In the 70s Gil Scott Heron incorporated the spoken word and extemporised music into his politically aware street poetry. Carl Sandberg wrote vibrant celebrations of American industrialism, championing the working class through accessible, free-verse language.

The late twentieth and early twenty-first centuries have seen American poetry become increasingly inclusive. Poets such as Maya AngelouLouise Glück and Rita Dove all addressed issues such as race, gender, history, indigenous identity and social justice. Their work reflects the multicultural nature of contemporary America and demonstrates the continuing ability of poetry to inspire dialogue and social change. In 2021 The Hill We Climb by Amanda Gorman introduced a new generation to the power of poetry in public life when she performed it at the presidential inauguration of Joe Biden

We have seen that the history of American poetry is one of constant innovation and diversity. From the devotional verse of Bradstreet to the democratic vision of Whitman; the introspection of Dickinson, the modernism of Eliot; the experimentation of Cummings and Pound; to the contemporary voices of Angelou and Gorman, American poets have continually redefined what poetry is able to achieve. Their work reflects the nation's history while exploring universal questions of identity, freedom, and human experience, form and meaning, which ensures that American poetry remains one of the world's most dynamic literary traditions. 

Steve Wheeler

Image copyright 2026 by Steve Wheeler

Tuesday, 15 July 2025

Pushing the Boundaries


Yesterday I was in the studio recording a series of short radio shows in my Poets Corner slot for CrossRhythms Radio. The show is divided into two short sections with a music track played in between. In the first section I provide some background and context for my poem choice, and in the second section I perform the poem. It's simple but effective and the shows go out every weekday afternoon. 

In one of my shows yesterday I talked about experimental poetry and told the story of how I became interested, and then inspired by avant garde poets and writers. Here's the story again for those many of you who will never get the chance to listen to the show.

I was in my late teens, and had been writing poetry for a short while during my school years. Now in my first job at a local college, I was seconded for a week or so to work in the college library. It was quite a large library in several floors, and the book stacks were huge. One of my tasks was to preserve some of the paper back books by removing their covers, and then rebinding them in hard covers, with the original paper outers incorporated into the new cover. It was fun, although fiddly, and I always managed to get my fingers covered in glue. 

During this time, the library was disposing of many of its old stocks of books. These included poetry and other literature. I spotted a pile of old poetry books and asked one of the library staff what was happening to them. She replied that they were being thrown out, and that if I wanted any I should just take them. I carried a boxful home with me, and I still have most of them in my collection. 

Some that caught my eye included works by e. e. cummings, Charles Bukowski and Philip Lamantia. These great American poets wrote amazing out-of-left field poetry that left me gasping for breath. I never knew that the English language could be manipulated in such inventive ways! Then I read the work of Welsh poet Dylan Thomas, who created vast lyrical landscapes of metaphors, similes and wordplay that inspired me even more.  

Soon I began to write in similar ways, not in blind slavish copying, but through experimentation and trial and error. I began to perform my new experimental poetry live, and got more positive responses than I did negative ones (you'll always get both). I'm now at the point in my poetry life where I feel I can push the boundaries continually to try to find new ways of experessing myself and new ways of manipulating the English language to create new wordscapes. 

My interactive textbook Creative Deviance and more recently my poetry collection eXp exemplify this creative risk taking and showcase what I have found to be possible. I hope in time these books will inspire poets to push their own boundaries just as cummings et al inspire me to push my own.

Steve Wheeler

Photo (c) Wheelsong Books Ltd

SPECIAL OFFER: If you purchase a copy of Creative Deviance directly from Wheelsong Books: wheelsong6@gmail.com you will also receive a copy of eXp absolutely free. 

Monday, 26 June 2023

Passion for Poetry

Why did I start to write poetry? What was the catalyst? It all began when I was around 18 or 19 years old. I was working at a local college, in the technical department that supported academics and students in their teaching and learning. I was seconded to the library, where one of the tasks was to take valuable paperback textbooks and prolong their lives by removing the flimsy covers, and dismantling them, before pasting them onto card and then reconstructing them with a laminate cover. Thus I learnt how to book-bind. 

While working in the library over those months, I happened by chance to walk past the literature section, and there... in the middle shelves, I found the works of Dylan Thomas. I admit, at first, it was heavy going, but after a while of reading the Welsh bard, I became seriously hooked on poetry. The library was throwing out a pile of old poetry books that had seen better days. I managed to grab a dozen or so, and took them home to read - I still have them in my collection today. One particular Penguin edition contained the work of Charles Bukowski, Harold Norse and Philip Lamantia - three American poets that inspired me further. 

Soon afterwards, I was writing my own experimental forms of poetry, and eventually, I began to perform my work at festivals, open mics and so on. It's important to acknowledge your roots and inspiration. For me the encounter with these four poets led me down the road to a lifelong love of poetry, both reading and writing. 

What was your inspiration? What has fuelled your passion for poetry? Why are you writing poetry right now? Answers in the comments box below please!

Celebrating American Poetry

I have always been fascinated by America. I've been privileged to travel many times, and even on occasion, work in America over my years...