Thursday, 28 December 2023

Copyrighting Poems On Social Media



I’ve written a poem and posted it on Instagram and Facebook. I’ve put it out there, but want to make sure Copycat Carl don’t claim it as his own! Just how DOES copyright apply to poems that are posted on social media?


First of all… DON’T PANIC! If you have recorded a poem in writing, it is automatically protected by copyright as long as it is an original work. Simple enough.


Copyright itself gives you the exclusive right to distribute, reproduce, perform, license, and display ORIGINAL work, including poems, songs, etc… This ownership is limited to among other things, the “fair use doctrine”, which states that others CAN use your work in a limited way for uses related to criticism, commentary, news reporting, non-profit teaching, scholarship, or research.


Also, copyrights do not last forever! The moment you post on an unrestricted social media platform… your work is considered published. In the United States generally speaking, copy written writings created after 1977, will last for the life of the author (or last surviving author of a joint work) plus another 70 years. I’m other countries it varies, but generally copyright continues not less than 50 years from publication or from the death of the author. Some may even be 95 or 100 years according to the country of location.


Of course, you can formally apply for a copyright in the U.S. through www.copyright.gov., with the standard registration being $65. 


In the U.K. and other European countries, the form of instant copyright is also generally accepted. This universal protection is guaranteed with the presence of an author’s name or website name, or even the name of an organization, a business, or a corporate name, Also needed is a current year or year range, along with a statement of ownership such as “All Rights Reserved”. This is important: NAME, YEAR, and STATEMENT OF OWNERSHIP!


Also in most cases, poetry with published by a book publisher, the publisher administers the copyright for the author, but the author maintains their ownership rights. Those signing a publication agreement should check that carefully.


Jay Sizemore stated in a 2020 article that putting the “©️” symbol is a bit redundant. Placing “All Rights Reserved” with your work is better.


 If you share the work on social media, you are giving the social media platform the right to distribute the work for you. But you still are the owner. The date you post it will be considered the date of the copyright.


There is so much to copyright law… much more than a blog can handle. Just DON’T PANIC! As soon as you put it out there and no one else has, and you have name date and statement of ownership, you generally have what you need.


If I have missed anything, please feel free to add it to the comments below!! I do hope this has been helpful to you. Good luck and many successful postings to you!


Matt Elmore



Image by: Unsplash


Resources:


https://www.copyright.gov/


https://www.quora.com/Whats-the-difference-between-an-American-and-European-approach-to-copyright-law


https://medium.com/the-pom/a-message-to-online-poets-83c805c411f1


https://www.liveabout.com/copyrights-and-social-media-issues-397821

Wednesday, 13 December 2023

Writing Christmas Poems

 



Writing Christmas poems can be such a joy to those who look forward to this glorious time of year… when goodwill for all is at the top of many humble wish lists. Yet what goes into such holiday craftworks without the typical hubris? Consider the following poems…


Perhaps most popular to be read to little sparkling eyed tots on Christmas Eve before bedtime is “A Visit From St. Nicholas”, which become better known by its opening line “‘Twas The Night Before Christmas”. Written by  Clement C. Moore. It is the story of a visit by Santa Claus to a humble family awaiting the magic to arrive… 


"'Twas the night before Christmas, when all through the house/ Not a creature was stirring, not even a mouse;/ The stockings were hung by the chimney with care,/ In hopes that St. Nicholas soon would be there;/ The children were nestled all snug in their beds,/ While visions of sugar-plums danced in their heads;…”


Published anonymously in 1823, the loaded words and phrases attributed to the anticipation of Santa with gifts continue to excite children’s imaginations even today. Sugar plums dancing in their heads! What an image! It remains a poetry essential at Christmas!


 Henry Wadsworth Longfellow wrote of spreading goodwill through bells “wild and sweet” in “Christmas Bells“…only to end the ringing with “God is not dead/ Nor does he sleep…”… notice how he digs up the repeat of old familiar ESSENCE here… “I heard the bells on Christmas Day/ Their old, familiar carols play,/ And wild and sweet/ The words repeat/ Of peace on earth, good-will to men!”


In “Little Tree”, E.E. Cummings addressed our adoration of that decorated green rallying point set up in so many living rooms by comparing it to a flower to admire and beautify in this short excerpt …  “little tree/ little silent Christmas tree/ you are so little / you are more like a flower…


“How The Grinch Stole Christmas” remains a  staple in my home…  Dr. Seuss wrote a “Christmas Carol” of sorts about an old hermit who finds the Christmas spirit and is redeemed. The incorporation of a little girl drives home a central theme of a holiday that is all about children’s smiles … “Then the Grinch thought of something he hadn't before!/ Maybe Christmas, he thought, doesn't come from a store/ Maybe Christmas… perhaps… means a little bit more!…”


Oh Holy Night remains my favorite Christmas song, but it was originally a poem by Placide Cappeau written in 1843, a divinely brilliant reflection of Christ’s reason within a season. Phrases such as “a soul felt it’s worth” and “the weary world rejoices” are perfect. A true masterpiece, the chorus praising Jesus is beyond beautiful… “Fall on your knees! O hear the angel voices!/ O night divine, O night when Christ was born;/ O night divine, O night, O night Divine…”


Many themes can be attributed to the Christmas season and are often reflected in Yuletide poetry. Gratuity, humility, spiritual redemption, trees, decorations, snow, gifts, family traditions, and the birth of a savior for all mankind are but a few!


Capturing the magic is done by investing into the mysteries of children, spirituality, brother and sisterhood, and an eventual peace on earth of forever silent nights. Evoke the holiday feeling!!  Create vibrant verbs to dance about holiday themes… with a reverberant message found at the end to ponder upon… as you wait for Christmas morning! 


Can you think of more Christmas poems that you love? Or attributed themes I may have missed? Please leave a comment below and let me know! In the meantime… Merry Christmas to all… and to all a good night…!


Matt Elmore

Tuesday, 12 December 2023

Wheelsong Books Review of 2023


2023 has been an amazing year for Wheelsong Books. I established the company in 2020 during the early months of the pandemic, basically for something to do. I set it up as a not-for-profit company to promote new and emerging voices in poetry, and also to raise much needed funds for Save the Children - a global relief charity. 

What did Wheelsong do in 2023? 

January saw the publication of the first book in the Symphoniya de Toska trilogy by American writer Marten Hoyle. Its January 19th publication coincided with the birthday of one of his favourite poets, Edgar Allen Poe. Marten's second publication was released on April 9th, the birthday of Charles Baudelaire, and the final instalment was published to coincide with the birthday of another of Marten's favourite dark writers, H. P. Lovecraft, on August 20th. How's that for symbolism?

In late February, together with my good friend Charlene Phare the Facebook group Invisible Poets was launched. The name was an ironic swipe at the fact that most poets go unnoticed and uncelebrated even though they may actually be quite brilliant (and in many cases better than those who are well-known, highly visible, published poets. The group quickly flourished, and now, at the time of writing this post, has reached 15,000 members. 

Also in February, Tunisian bard Rafik Romdhani released his third book, Vapour of the Mind through the Wheelsong Books label. As in previous books, Rafik excels in the use of rich imagery, metaphor and awesome insights into his life in North Africa. 

In March Wheelsong Books announced the call for poems for Wheelsong Poetry Anthology 2. The anthology was published in April with a stunning cover photograph (courtesy of Kerry Cole) and sold quite nicely, raising around £450 ($565) for Save the Children. As with all Wheelsong Books, it is still available on Amazon and other online outlets worldwide. In the same month I published a book called Nocturne, which featured a lot of poetry about the night, sleep and dreams, and darkness. 

In June, Matt Elmore's first poetry collection, the sublime Constellation Road was published and this was followed closely in July by Imelda Garcia's debut collection Beyond the Pyre for Wheelsong. Both books contain some stratospheric poetry, and both deserve a wide readership for their brilliance. 

September saw the publication of Wheelsong Poetry Anthology 3, which featured a stunning image by photographer Lynda Clifton. Containing over 200 poems from more than 100 poets, Anthology 3 has already sold 400 copies and continues to be available. We have so far donated £750 ($940) to Save the Children for their relief initiatives from the sales of this book.

December saw the publication of Brandon Adam Haven's second poetry book, This Broken Home, which is a darkly gothic collection of somewhat disturbing poetry and horror flash fiction. If you intend to read this book alone, I strongly advise you to keep all your lights on. 

We also relaunched Live Poets Society, which now goes out live twice each week, on Friday at 8pm (UK time) and on Tuesday at 3pm (US Eastern time). Viewing numbers have been on the increase, which this shows a healthy interest in the spoken word and live performance poetry.

The Wheelsong Books blog was also launched in the summer, with regular posts about poetry from me, alongside Matt Elmore, Brandon Adam Haven and Charlene Phare, alongside guest posts. It has so far attracted almost 30,000 views and there are some amazing, thought provoking posts on all aspects of poetry and creative writing. 

That was 2023. Let's raise a glass to the coming year and do our best to keep poetry remains alive and kicking. Wheelsong Books has a long list of publications waiting in the wings, including two more anthologies!

Steve Wheeler



Wednesday, 6 December 2023

Why Save The Children?


The publication of the Wheelsong Poetry Anthology series remains one of the absolute first priorities of all things Wheelsong, with ALL proceeds going to Save The Children. Why Save The Children? What does Save The Children do?


Save The Children is a charitable organization dedicated to programs involving health, education, protection, emergency response, advocacy, and localization initiatives for children worldwide. 


A staggering 118 million kids in 116 countries around the world felt the saving impact of these programs just last year (2022)…. 5 MILLION meals went to impoverished children in U.S. areas alone… 9 MILLION kids observed a quality education (4.5 million being girls)… 4.6 MILLION mothers and 16 MILLION children improved their nutrition.. 3.8 MILLION kids rescued from violence…107 MAJOR EMERGENCIES were averted in over 70 countries.


This is just ONE story of so many… in 2010 Save The Children began the camel library in Ethiopia. The program includes 21 camels, which are traditionally used by communities in the Somali region of Ethiopia to transport goods across the hot lowland areas. Camels can carry up to 200 storybooks at a time in wooden boxes strapped to their backs. The project currently reaches over 22,000 children in 33 villages.


Mahadiya, 13, is in grade seven in a remote part of the Somali region of eastern Ethiopia COVID-19 forced her school to close. She eagerly looked forward to the “camel library” to work its way through the arid desert lands to bring her the only education she could know. She says wants to be an engineer when she grows up!


Mahadiya confided, “Many children have become herders and some walk into the bush to look for firewood. When schools were closed (during Covid), I was very sad.  However, the camel library continued to come to our village and supplied us with storybooks. I feel very happy and I am now able to borrow and take home the storybook that I would like to read.”


Children raised concerns around increases in child labor, early marriage, and abuse due to the outbreak and closure of schools. Even today Ethiopian children and their families are facing floods, desert locusts, cholera, measles, food insecurity, and rising poverty levels. 


Save The Children assured her of protection from the dangers of child labor and exploitation… in addition to providing nutrition  and education. This is only ONE child… out of 118 million. Mahadiya no doubt still waits for that camel to bring her the books she so desperately longs for.


One child. One story. One world. One cause. Wheelsong continues to support Save The Children. Wheelsong Books founder and publisher Steve Wheeler has put in the hard work, donating £2225 ($2820) so far from the Wheelsong Poetry Anthologies. His work, the editors, and the works of the poets contributing make this possible. But we have to get the books out there. 


Please consider buying one today for a

Christmas gift, or otherwise. Your contribution not only provides quality poetry… it provides a child with needs she or he will never get otherwise in a world where so little… can often mean so much.



Matt Elmore



Image from: 

Save The Children


References:

https://www.savethechildren.org/us/about-us/media-and-news/2020-press-releases/covid-19-camel-library-takes-remote-learning-to-new-levels


https://www.savethechildren.org/us/what-we-do



Overcoming writers' block


Today's blog post is a guest post written by one of our Invisible Poets moderators Donna Smith. It contains some great advice and encouragement for all writers about a topic with which we are all very familiar.

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I have seen a few post recently where people are having writer's block or losing inspiration. 

As writers this is something we all go through and every one of us can relate to this feeling. Our brains sometimes need a switch off. We  can't be constantly thinking of the next poem or project as we have other 'stuff' going on too. 

Therefore we shouldn't be too hard on ourselves when it happens. Here are my top tips to deal with it when it does happen.

1) Don't stress or worry when it happens. Remember it happens to us all and it's only a temporary state.

2) Do what works for you. If reading others poetry helps to re-ignite the spark, all well and good. If not and reading others brilliant pieces is making you feel worse, switch off your phone and don't engage for a while and give yourself a break. 

3) Ask for a prompt or a title. When you have the theme given to you, half the job is already done. 

4) If you do want inspiration go to Matt Elmore pinned post at the top of Invisible for all the exercises. There are loads of different themes/exercises that may set you off on a specific poem and it may be a style you've never tried before. They also lead you to the wheelsong blog which is full of useful tips to help with your writing. These exercises have helped me to come up with a few poems and some have been my best work. 

5) Re-visit your own old work and correct spelling mistakes and grammar. This way you are at least doing something constructive with your writing. You may even see that a word needs adding or a different sentence would make it better. You could even end up with a completely different poem at the end of it. 

6) Delete, tidy, organise your work. Put your work into categories, genre, etc so that if/when an opportunity arises for a competition or publication for a specific type of poem, you can quickly see what you have got in that field.

7) When you can, tune in to Live Poets Society with Steve Wheeler on Invisible Poets. UK time 8pm on Fridays and new from today 8pm on Tuesdays with Matt Elmore and Brandon Adam Haven. Listening to other people's work being read out is a massive inspiration. Sometimes just hearing a certain word can set you off on your own journey.  

8) Going to go back to number 1. Just try not to worry. Know that we have all been in the same boat at some point and we understand how you are feeling. 

If anyone else has any more tips, please feel free to add in the comments section below. Happy writing. Xx


Donna Smith

Image from pxhere used by Creative Commons licence

Monday, 4 December 2023

The Invisible Poets Manifesto


Several people have asked me why Invisible Poets was set up. It happened in early March 2023, when along with Wheelsong Books ambassador Charlene Phare, I set up Invisible Poets as a public Facebook group. Within days, we had a hundred members, and within weeks it had become more than one thousand. Now growing at the rate of around 1000 each week, Invisible seems to have become one of the premier poetry groups on Facebook. The standard of poetry is high, and although there are issues to deal with (as in any large public Facebook group) there are plenty of positives to reflect on, and plenty of new initiatives to look forward to in 2024!

For those who don't yet know what we are about, and who are still asking why Invisible Poets was created, here is the Invisible Poets Manifesto in 6 key points:

1. Always give more than you take. You have a gift, which has been freely given to you. Now give back generously to others in return. 

2. Invisible Poets in an 'underground' movement. Don't try to seek fame or fortune. In poetry, you're unlikely to achieve either. Simply seek to leave the world in a better state than you found it. 

3. Use kind words to speak your truth. Kindness is more powerful than harshness, and speaks a deeper truth than animosity. 

4. Poetry has an eternal quality. Make sure the words you speak and write are worthy of being preserved long after you are gone. 

5. Reach out beyond your comfort zone to connect and collaborate with others. You may create something beautiful together you could never have achieved alone. 

6. No-one should ever be left behind. Our group is a family, and every member matters. Draw alongside those who may need your support. 

Steve Wheeler 

Founder of Invisible Poets and Wheelsong Books 

November 2023

Thursday, 30 November 2023

How to read and understand a poem


Every so often on this blog we plan to feature guest posts that add value to the series of informative posts supporting your poetic journey. This post was kindly written by one of our Invisible Poets member (Olusegun Ajeyi).

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I know you may be wondering, why on earth should reading and understanding poetry be a topic of discussion? Why is it even important to read poetry? What is the importance of understanding it? How does it concern you or affect your life? Why should you even care? 

If these are your questions then follow me closely as I am about to give you satisfactory answers that will soothe your soul and quench your thirst like a chilled juice on a hot summer day. And if any of these questions does not bother you at all, you are also invited to come and have a sip of this chilled juice. Who doesn't like better things? Nobody, right? Without beating around the bush let's go straight into business.

Poetry is unarguably the most artistic genre of literature. It is very unique and dynamic in its use of figurative language to evoke emotion, paint vivid imagery, convey complex ideas, and communicate the depths of the human souls.

Poetry is as old as the universe itself; it can be found in many different cultures of the world. Poetry has been used throughout history as a powerful tool to fight against vices, break down vultures and it continues to be a vehicle to convey important messages and ideas for a positive transformation in our global community.

Reading and understanding poetry can be a challenging task, but it is absolutely a rewarding and enriching experience. Here are some practical steps to enhance your reading and aid your understanding of poetry.

1. READ THE POEM MULTIPLE TIMES

To read and understand anything at all, you should read as many times as possible, this is especially more important when it comes to reading poetry.

Poetry is not meant to be read quickly or in a hurry. You should take your time to ingest and digest every single word, line, and verse like a hearty meal. ​ 

Pay keen attention to the theme, figure of speech, rhythm, rhyme and meter of the poem. The joy of comprehension and the ability to read and retain what is read will be worth every second spent as repeated reading can help you develop a good reading habit which is important for continued learning and personal (mental) ​ development.

2. FIND THE CENTRAL MESSAGE OF THE POEM

Pay undivided attention to the themes and motifs present in the poem. That's, the center message the poet is trying to communicate. This will help you understand the poet's point of view, opinions and what they are trying to convey. Know that understanding the poet's point of view doesn't stop you from bringing in your own interpretation as the poem resonate with you on a personal level. 

But this should be done carefully, to be able to learn how to tolerate others' opinions for mutual understanding and effective communication. As the popular Yoruba adage says: "It is he that holds the drumming stick that knows the true interpretation of the drumbeat." So you should strive to know what the poet is saying, not what you want him to say.

3. ANALYZE LITERARY DEVICES

Poets​ use literary devices such as metaphors, similes, personification, imagery etc. to convey their message. For you to fully understand the poem, you must analyze each literary device employed by the poet and how well it conveys the poet's message.

Failure to do this will cause misunderstanding and misinterpretation of the poem thereby disrupting its true meaning which will lead to misrepresentation of the poet's intention.

For this reason it is very important to pay attention to these devices and how they contribute to the overall meaning of the poem.

4. CONSIDER THE CONTEXT

While one of the crucial things to do when reading is to look up the meaning of difficult words from the dictionary, that's is not enough to grasp the true meaning of words in a poem. Each word must be interpreted and understood within its historical, cultural and textual context. "

Very bad" can mean in good condition when you check up a dictionary, in the early century or in a particular cultural and textual context but don't be surprised that "very bad" can actually be used to mean something is too good to be true, e.g Mr. Ade bought a "very bad" ​ brand new car (very bad – beautiful or sophisticated car).

In the 14th century or so the word "gay" originally meant (happy or lighthearted) but it gradually came to be associated with homosexuality around the 20th century.

If I say, "you are gay" ( Note: I didn't say you are a Gay) the meaning depends on the historical, cultural and textual context of whatever precedes that phrase).

Understanding the historical, cultural and textual context in which the poem was written can provide valuable insight into its meaning and message. 

5. CONNECT IT WITH YOUR OWN EXPERIENCES

 Poetry is often deeply personal and can resonate with your own ​ life experiences. Try to connect with the poem on a personal level and consider how it relates to your own life.

6. LOOK UP THE MEANINGS OF DIFFICULT WORDS IN THE DICTIONARY

Remember this is just a means to an end not an end itself. The context still has to be considered to know the true meaning of each individual word and whether the word has been used as a verb, a noun, an adjective or an adverb.

7. REVIEW THE TITLE OF THE POEM

As the title can shed more light on the entire message of the poem. You should try and understand the title and review it to see how it correlates to the poem.

8. GET TO KNOW ABOUT THE POET 

Knowing the cultural background, style of writing, belief and conviction of the poet is a guiding light to what to expect from his poetry.

9. STUDY THE CHARACTER OF THE POEM

This should not be confused with the poet himself. Just like watching a drama or reading a play, a poet can portray a character in his poem which just does not in any way represent the personality of the poet.

Reading and understanding poetry also have a positive impact on other areas of life. It improves your critical thinking skills, enhances creativity, and provides a deeper understanding and mastery of language for effective ​ communication.

I hope these steps help you in your journey to read,understand and appreciate poetry.

Which of these steps do you find more interesting or challenging?

Have you learned anything new? What other steps do you know that I do not mention, feel free to tell me in the comment section.


© ️The Pioneer Poet Olusegun Ajeyi

Image © Emmanuel Olajide


Tuesday, 28 November 2023

The Rhythmic Magic of Syllable Counting



Poetry with its rich tapestry and variety of words, have the ability to captivate and move us in very profound ways. One of the essential elements that contribute to the beauty and musicality of poetry is its rhythm. Syllable counting, a technique employed by poets across various cultures and eras, plays a vital role in creating a mesmerizing flow within a poem. I’ve been experimenting with this especially very much lately and I’ve been quite impressed with some of the rhythmic qualities and outcomes articulated. Thus in this blog we will explore the rhythmic effectiveness of syllable counting in poetry and how it enhances the overall flow, lending enchantment to the written word.


1. Establishing a Meter:

Syllable counting helps establish a meter, which is the underlying rhythmical pattern of a poem. By assigning a specific number of syllables to each line or stanza, poets create a consistent beat that guides the reader through the poem. Common meters include iambic pentameter (ten syllables per line with alternating stressed and unstressed syllables) and haiku (three lines with a 5-7-5 syllable pattern). This rhythmic structure enhances the flow and musicality of the poem.


2. Enhancing Musicality:

Syllable counting contributes to the musical quality of poetry. The deliberate arrangement of stressed and unstressed syllables creates a natural ebb and flow, resembling the rise and fall of musical notes. When younger I used to be gripped by the melodies crafted into many of the works of Robert Burns. Syllable counting is a very alluring reason why I was captivated and inspired at an early age to poetry itself. This rhythmic interplay adds a melodic quality to the poem, engaging the reader's senses and creating a captivating auditory experience.


3. Controlling Pacing and Emphasis:

Syllable counting allows poets to control the pacing and emphasis within a poem. By varying the syllable count, poets can create a faster or slower tempo, influencing the reader's reading speed and breath. Shorter lines with fewer syllables may quicken the pace, while longer lines with more syllables can slow it down. This manipulation of rhythm adds depth and nuance to the poem, guiding the reader's emotional journey.


4. Achieving Poetic Balance:

Syllable counting helps achieve balance within a poem. By adhering to a specific syllable count, poets ensure that each line or stanza receives equal attention and contributes to the overall harmony of the composition. This balance aids in creating a sense of completeness and unity, allowing the poem to resonate with the reader on a profound level.


5. Enhancing Visual Aesthetics:

Syllable counting can also enhance the visual aesthetics of a poem. I have been finding this out more and more lately with my own compositions. Masterful poets often arrange their lines on the page in a deliberate manner, creating visual patterns that complement the rhythmic structure. The symmetrical placement of lines or the alignment of syllables can add to the overall beauty and impact of the poem, engaging the reader's visual senses alongside the auditory experience.


Syllable counting is a powerful technique that contributes to the rhythmic effectiveness and flow of poetry. By establishing a meter, enhancing musicality, controlling pacing and emphasis, achieving poetic balance, and enhancing visual aesthetics, syllable counting adds a layer of enchantment to the written word. Whether adhering to established poetic forms or experimenting with unique syllable patterns, poets can harness the magic of rhythm to create poems that resonate deeply with their readers. So, let the syllables dance and the words sing, for in the realm of poetry, the rhythmic flow holds the key to unlocking the beauty of language and I encourage everyone interested to give this handy technique a try. 


By: Brandon Adam Haven 

Photo by: Brandon Adam Haven 

Saturday, 18 November 2023

Twisted pair challenge


A while back I gave my global teacher community a challenged called Twisted Pair. It was to encourage them to write creatively and stretch the imagination. The rule was simple: Choose two characters from history and/or popular culture (they could be real or fictional) and write a short story about their meeting and what might possibly happen. 

Here's the same challenge for all you poets: Choose yourself two characters and write a short poem about their meeting. It could be the most unlikely characters you could possible think of: King Henry VIII and Donald Duck. John Wayne and Batman ... how about Marilyn Monroe and the Phantom of the Opera? 

Here's my example: 

Bela Meets Nancy

When Bela Lugosi meet Nancy Pelosi 
He ask for a dancy cos she take his fancy
Lugosi drink rosè and soon he proposi
"I'm happily married to Pauly", says Nancy 
Then Bela Lugosi begin to get antsy
The ring on her finger is something he can't see
He all lost for words like the magic man Teller
Cos Nancy don't fancy a fella called Bela


Steve Wheeler © 18 November, 2023

The poem doesn't have to rhyme, and neither do the names! In my example the names to rhyme, and I've exploited that feature. Tag you poem #TwistedPair and let's see what we can all come up with! You can share it below in the comments section, on any Facebook poetry group pages, or anywhere else on the web. Let's see how far we can spread this challenge! 

Steve Wheeler

Image from Wikimedia Commons

 

Thursday, 16 November 2023

Finding Your Performance Poetry Voice



When I used to read poems in college coffeehouses, I thought they should be read like a Shakespearian actor, with intense drama that demanded attention. “Foul wretched soul... BE GONE!”… Haha… I’ve come a long way (I hope)! Although this CAN give your words wings, overdoing it can work AGAINST you. This blog is about finding your performance poetry VOICE. 

Your voice as a performance poet carries just as much weight as the poem itself. It’s all that’s between you and the audience, providing the surface on which to drive your message. Your job is to keep it a smooth one. Here are a few important things to remember:


1.) Volume is important first of all. If they can’t hear you, distraction sets in. In public speaking this is known as projection… speaking to the back row and into the peanut gallery above. Let them know you are THERE… going with a soft tone for subtle poems or lines, getting loud for exclamation where it counts.


2.) Inflection follows… it sets the scene for words or phrases. The proper pronunciation is part of this… always being aware of the next word and the next emotion you intend to convey. Inflection, or emphasizing particular passages or words, packs the punch when you need it… or whispers vulnerability or sentiment.


3.) If you use accents, use them sparingly. You can instantly ruin a great reading by donning a fake accent! If properly used, they can be incorporated with great effect in conjunction with the message of the poem. Otherwise, try to avoid them. Be yourself! DO NOT GO OVER THE TOP… it’s a long fall over the edge of over-exuberance! Audiences sense inauthenticity.


4.) Breath is everything. Silence speaks following profound statements that you want to resound within the minds of those listening. A touch of quiet also allows you, as the performer,  to catch your breath and maintain a focus. Breaks are found in music. They are just as effective in poetry.


Volume. Inflection. Proper pronunciation. Tone. Accents. Breath. Breaks. Maintaining focus. These are all effective means to a successful end in taking your poetry on another level to an audience.


Did you enjoy this article? Can you add anything to it? I’d love to hear from you! Leave a comment below and let me know what you think! Thank you for reading and should you get out there performing… shake a leg! Hey… it worked for Elvis



Matt Elmore


Image from: Unsplash 


Politics and Religion

There is an old saying that in polite company you should never talk about religion or politics. It is a quote that has been attributed to ju...