Friday, 31 May 2024

Experimental Poetry 9: Anarchic poetry


You want anarchy? You got it! Anarchy is a state of disorder caused by rejection of rules and authority. It is the basis of a number of art movements including Abstract impressionism, Surrealism, Dadaism and punk rock. Poetry too has its anarchic poets. Read for example Ezra Pound, James Joyce or e. e. cummings. The latter rejected the use of upper case letters, hence the alternative presentation of his name. Edward Estlin Cummings as I will present him, experimented mercilessly not only with words, but also the form in which they were presented. He even misused punctuation deliberately to create feelings of disorientation, fragmentation and unease. In short, cummings used just about every aspect of language to create atmosphere and hammer home his messages. 

Method 15: Syntactic Deviance. Here, there is a total lack of regard for the conventional. You really will need to step outside your comfort zone, and this is where most of you will give up. And yet, if you do pursue this avenue of experimentation, you'll discover new ways of presenting your art of poetry which might otherwise have passed you by. Forget all the rules of grammar and punctuation. Spell things differently. Create sentences without verbs. Turn the writing upside down. Write diagonally or in reverse. Be absurd in what you write. Everything and anything goes. 

For me, this is one of Cummings' best poems: It dwells on loneliness and has the metaphor (a leaf falling) inside the word loneliness. It is inventive, disruptive and unexpected. In short, it is anarchic poetry. It breaks all the rules, including fragmentation of the words to signify a slow falling of the leaf. 

Method 16: Morphological Innovation. This is where you might dispense with conventional words and create your own. You might like to take a word and extend it to convey a meaning. Delicious becomes un-delicious, or chocolate becomes chocolate-ness. Go even further and blend words together to make new ones, or neologisms. A rabbit's burrow becomes its rabbitat and agonising over the loss of your luggage becomes bagonising. Be inventive. There are no rules, and you'll create your own language of poetry! These new words are known as portmanteaus and they are a part of morphological innovation. 

Method 17: Ad Nauseum. This Latin phrase means 'until sick'. This is the point in your poetry where you can go completely out on a limb and do totally unpredictable stuff. And then do it again, and again, and again, until it sickens, and then keep doing it until you run out of paper. 

Steve Wheeler

Previous posts in this series

Experimental Poetry 1: Found Poetry
Experimental Poetry 2: Stream of Consciousness
Experimental Poetry 3: Fake Translations
Experimental Poetry 4: Overlapping Voices
Experimental Poetry 5: Random Prompts
Experimental Poetry 6: The Movie Method
Experimental Poetry 7: Unexpected End Rhymes
Experimental Poetry 8: Calligrams

Image from Wikimedia used under a Creative Commons licence.


9 comments:

  1. “He sang his didn’t, he danced his did”

    “With up so floating many bells down”

    “Which is natural, which is infinite, which is yes”

    Three favourite examples of syntactic deviance from e e Cummings

    ReplyDelete
  2. Woo that would be a cool title poet with a flare for anarchy! I like it

    ReplyDelete
  3. Geat post. Thank you so much, Steve, for continually bringing us poetastical thinking-outside-the-boxness. Much appreciated.

    ReplyDelete
  4. Ha, ha! Now these are challengisms! Gonna give it a go. It’s 8am lets see what will showed! 😆Universal Peace & Love 🪷

    ReplyDelete
  5. I've really appreciated this series, and have tried a number of things out as a result of it. But weirdly, a couple of the things you've mentioned in this post I've already done, and quite recently. It's as if reading about all the crazy experimental things you can do has made me bolder in what I try out. So in my poem about nostalgia for tobacco smoke, I found myself inventing the word "bitterburn", and may add another to give:

    with that tangy bitterburn
    buttersmother smell of floating smoke.

    But "bitterburn" was conceived a day before I read this blog!

    And also in another, I had a couple of syntactic deviances:

    Creative sparks be quenched by light's pollute

    and

    O wayward brain, betrayed by grey's beguile.

    I believe this substitution of one part of speech as another (verb->noun) is called "anthimeria". But to see your blog gives me validation for doing this!

    So thanks for the series.

    ReplyDelete
  6. Thank you so much
    I really enjoyed that
    And I will try it
    And I will start going on wheels on poetry and reading more stuff
    This is one of the reasons your group is so great

    ReplyDelete
  7. I truly appreciate this series Steve it has helped me immensely by giving me a direction that best suits my natural ability
    Thank you so much for all the time you put into this and the invisible poets

    ReplyDelete
  8. Oh, I hope I get a few minutes to try this - it’s right up my anarchic alley! This sounds like serious fun from a chaotic poet’s perspective - ha!! 👍🏼

    ReplyDelete
  9. Fantastic suggestions!!

    ReplyDelete

Wheelsong Poetry Anthology 5 is published!

Our strapline on Invisible Poets is Poetry Against Poverty , and that's exactly what this new publication is all about. Wheelsong Poetry...