Tuesday 30 April 2024

Writing great poetry


Is there a secret to writing good poetry? There are certainly no real rules. Watch Dead Poets Society, where the teacher tells his students to tear out the turgid introduction to 'How to Write Poetry', because it is rule bound, and actually stifles creative expression rather than encouraging it.  

So how do you go about writing a good poem? What is the process by which you end up with verse that is lyrical, beautiful to read, with some emotional impact? 

Well, the clue should be in the three elements I just listed. Let's take them one at a time...

Lyrical - what does it mean? Think of the lyrics in a song (more on this in a moment). Or think of the work of some of the masters of poetic expression. They don't simply say it as it is. William Wordsworth didn't just walk about a bit. He wandered lonely as a cloud (a simile). Dylan Thomas didn't write blandly about death - he raged against the dying of the light (a metaphor). Think deeply about what you are trying to describe and then go the extra mile. Nothing is off the table in poetry. Language can be made to mean what you want it to mean. Experiment, take risks, and write lyrical poetry that gets people thinking. Step out of the rut of the ABAB rhyme and try to colour outside the lines you've imposed upon yourself. 

Secondly, poetry should be beautiful to read. Now beauty is in the eye of the beholder (you can remove it with any eyewash). Essentially, poetry is subjective. Some may love your writing while others might despise it. Most will be fairly ambivalent, so it's up to you as the writer to convince your audience to keep reading. How do you captivate them? Think about the poetry of Paul Simon: 'My eyes were stabbed by the flash of a neon light, that split the night...' or 'The words of the prophets are written on the subway walls, and tenement halls...' and see how he generates a stark urban imagery for his classic song Sound of Silence. There are various devices, tempos, formats and literary techniques you can employ to create atmosphere, tell a story or capture your reader's attention. Many are already presented in previous posts on this blog, so you'd be very silly not to explore them, wouldn't you? 

Finally, emotional impact. Yes, you can write a poem that is devoid of emotions, but such poems tend to be bland and sterile. Most poets have been through some kind of trauma, heartache or sadness in their lives. Write about your experiences, and you'll naturally have emotional impact.  Emotion can also present as joyful, angry or fearful, or a whole range of other expressions. Your poetry doesn't have to be melancholic to have emotional impact. It can be humorous, or it can be quizzical. Whatever you're writing, write it with some passion, and it will naturally have an emotional impact. 

Steve Wheeler

Image source Flickr

10 comments:

  1. Write on, Master Wheeler! I've just been schooled in this one lesson alone! Thank you!

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  2. I couldn't agree more. We should be thinking of ourselves as athletes of spoken/written word. Just like any sport or complex task really, you only begin to master it once you have grasped the fundamentals and built upon them with repetition and time. Excellent breakdown

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    1. Good to hear you found this helpful Peter.

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  3. Excellent advice and I love the though of Wordworth poem being about
    walkint around a bit. Given me an idea!

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    1. Saw it, read it Donna. Great creative expression. Glad I could inspire.

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  4. I truly appreciate this advice and will now attempt to include it in future poeo

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  5. Wonderful blog Steve. Truly excellent. And Donna my lovely Lacashire friend...Wordsworth used to walk around composing poems in his head and speaking them out loud! Just seen your poem...daffodils comes to mind. I'll get back to it and comment.

    Terry Bridges 30 April 2024

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  6. Steve, I think the secret to writing poetry is captured beautifully in the following passage in the book "Hurricane Child," by Kheryn Callender: "She isn't making noise for the sake of making noise. She's letting me inside her head, and for the first time in my life, I feel I can almost imagine it--what it'd be like to exist as a completely different person, to have their thoughts and feelings instead of my own."

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